Put Your Clothes ON!

Experience a mystical journey through nature performed by a movement artist. Felix faces the whirling challenges of his inner turbulence with an emotionally charged dynamic, delicate strength, graceful dignity, as well as ecstatic devotion. Behold the fire dancer in the night.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

A short documentary immersing you in the intimacy and harsh reality of young LGBTQ+ artists, working in Los Angeles in the midst of the glamorous neighborhood of West Hollywood.

A documentary that follows six young dancers from around the world as they prepare for the Youth America Grand Prix, one of the most prestigious ballet competitions in the world.

After a tour of the sights and sounds of the Las Vegas strip, we enter the Club Paradise where we are treated to a night of song, comedy, and dancing.

A collection of numerous burlesque acts from the 1950s, including strippers, and cult character Betty Page introducing the acts.

The motions and gestures of military riot police, slowed down while performed by dancers, are surprisingly beautiful. Menace and violence estranged from context and time looks eerily strange, and all too familiar. In this gallery piece, Isaac Chong Wai somehow anticipates, a year early, key images of the Hong Kong protests.

Bertolt Brecht asked whether there would be singing in the dark times. In the throes of war, the United Ukrainian Ballet Company defiantly insists there will be dancing, too. Far from the land they call home, young dancers take quiet comfort from art. For a while, their work feels like the old days, except there is a new troupe member: a soldier learning to dance with prosthetic legs.

Check Your Body At The Door is a documentary film about some remarkable underground house dancers in NYC during the golden decade of the 1990s. It follows master free-stylists into the clubs, their jobs, and their everyday lives. Filmed in the studio as well, the dancers’ virtuosic moves are brilliantly revealed in silhouette or light pools. In their words they describe the importance of clubbing, why they dance, how they dance, and what it means.

An introspective documentary which chronicles pop music queen Britney Spears' return to the spotlight after her much-publicized professional and personal struggles. Honest, raw and revealing, the one-hour special shares some of Spears' most intimate moments in the span of 60 days, and gives fans an inside look at Britney in the recording studio and on set filming the music videos for one of music's most triumphant comebacks.

The tendency in the world is right-wing, neo-liberal, and people are more controlled. We have less liberty even if we think we have more. The last territory where we can be ourselves and where we can have full freedom is our own body. The documentary "BARE" focuses on male nudity in the modern dance. The story follows a well-known Belgian choreographer Thierry Smits through a process of building his new creation with a group of male dancers performing bare naked.

Merely Marvelous is a celebration of the art and life of Broadway's greatest dancing star, Gwen Verdon. She overcame many obstacles, including rickets, the Hollywood system, a loveless first marriage and a difficult second marriage to choreographer/director Bob Fosse, to become a multi-Tony Award-winning performer. Gwen's life is told through interviews with family members and theatre associates as well as a mine of rare footage from her Broadway and Hollywood careers. Merely Marvelous is the story of a brave woman who rose to the very top of her profession.

Beth B takes us into the 21st century underground and reveals a secret world where cutting-edge performers are taking hold of a taboo art form, Burlesque, and driving it to extremes that most people have never seen. It's satire. It's parody. It's a populist blend of art and entertainment that gives new meaning to the word "transgression." Above all, it's a lot of fun, and it will blow your mind.

Gene Kelly is a legend of the heyday of the Hollywood musical. His name stands for masterpieces such as "Singin' in the Rain" and "An American in Paris". As a singer, dancer, actor, choreographer and director, he was a true all-round artist who revolutionized the world of dance in particular. Kelly, who loved to experiment, explored new forms of dance expression and helped a whole generation of young talents to fame. From his beginnings in cabarets and on Broadway to his recognition as a choreographer and director, the documentary shows how the good-looking star with a charming smile expanded the boundaries of dance expression: He danced in the open air in the streets of New York, with a cartoon character or his own reflection. But this dazzling entertainer image should not obscure the fact that Kelly, as a staunch supporter of the American civil rights movement, also saw dancing as a political statement.

This documentary will explore the Afro-Caribbean dance, ‘whining’ alongside the practice of twerking to analyze respectability politics, pressures to accommodate whiteness, and gendered criticism of sexual expression within the Black diaspora. Using archival footage of West African dance, expert opinion from dancing and gender studies professors, and the active participation of partygoers in a dance experiment, Watkins will paint the picture of the defiance, autonomy, and ancestral veneration intrinsic to these traditional movement styles.

Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.

Through handmade outfits and dancing, Coby, a 93 year old retired Chinatown nightclub performer, and Stephen, an artist twenty years her junior, find unlikely love, despite dissimilarities in culture and age. As their last performance in Las Vegas approaches, Coby and Stephen prepare a final routine.

The outrageous life of the American dancer of the 1920s, Isadora Duncan, whom Ken Russell described as "part genius and part charlatan".

In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color.

Loïe Fuller, stage name of Marie Louise Fuller: the American actress and dancer trained in burlesque, circuses and variety shows who, in the 1890s, signed by the Folies Bergère of Paris, became a star. She was portrayed by Toulouse-Lautrec, loved by the symbolists, the inspiration for Art Nouveau, in her shows she combined dance, spirals of fabric and light, reflected from behind or from below through the glass floor that she had created. She transformed into the "Fairy of Light", was taken up (especially in her Serpentine Dance) by Georges Méliès and Alice Guy and influenced René Clair's early films.