Atado

floating images, abstractions, memories. silhouettes of a life lived in Jawaharlal Nehru University

This video is dedicated to your mastery of the art of realizing all your desires. The greatest gift you have been given is the gift of your imagination. Everything that now exists was once imagined. And everything that will ever exist must first be imagined.

A young man narrated the details of his dream from last night to his father about the celebration of demonstration, anger, and graduation.

At seventy-two, my grandmother Rosi wanders among the properties she built in the past as she searches for her place in the world while dealing with the pain of loss and abandonment.

In a hybrid film, both documentary and fiction, five young women describe the feeling of grief when losing a parent at a young age. Anna returns to her father's home, a year after his death. In one weekend, she lives through a storm of emotions as these may come and go in the process of grief.

Invisible City was filmed in Detroit over the course of three years. Inspired by Italo Calvino's "Invisible Cities," in which the Italian author suggests that what constitutes a city is not so much its physical structure but the impression it makes upon its visitors. The film is loosely organized into four segments representing spring, summer, fall, and winter.

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

A dream-like exploration of the interconnected lives of two women and two children, celebrating the profound moments of love, loss, and resilience that shape the tapestry of womanhood. Set to the backdrop of Sidama's coffee-growing hills, 'Amakki', meaning 'your mother', captures the intricate threads that bind these women to the land, to each other, and to the unspoken essence of motherhood. The language spoken in this film is Sidaamu Afoo.

Through phone call conversations, an aspiring Ilocano filmmaker relates to his mother working in Italy about his dreams and struggles while documenting the invisible betweenness of their language and distance.

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.

One Sunday in a public housing project, an Italian immigrant family. Through the character of the mother, we experience the family's Sunday ritual. More than just this somewhat ancestral ritual, which is still relevant today, we get a glimpse of this Mediterranean culture.

Jan receives the group patch at the campfire, Herkules brews up some tea in the workshop and Sidney gets a mohawk haircut done by his father. The film shows fragments from an Oberhausen subculture in which symbols and practices of the outlaw motorbiker scene are transferred to cycling.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Jonas Mekas recites poems of his, both in English and Lithuanian. Exclusive Mekas interview by the poet Sparrow. The legendary poet-film critic and film diarist waxes philosophical in rare extended setting exhibiting his transcendental poetic humor. Jonas attacks the crass world of TV advertising and sell-out commercial filmmakers. Contributes zen anecdotes and filmmaking advice. Choice clips include Mekas' Film Diaries with deceivingly formalist amateur "home movie" style, but in small bursts of expression in a quick collage. Footage from Jonas' homeland as well as clips of famed pop figures John Lennon, Yoko Ono and Tiny Tim.

A day in the life of a group of stray cats, who live in a wealthy neighborhood

Twenty-six years after her parents' dramatic break-up, film director Nicoline Skotte takes on the task of revisiting her childhood trauma by inviting her parents to participate in an investigation of shared family dynamics. Memories of their common past seem to be selectively edited by each individual. What led to this dramatic outcome and how did two such incompatible people ever end up together? Nicoline dives into the messy family relations, seeking to uncover what has never been said.

A tribute for a mother, by her son.

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