Ali Kemal and Vahi, two childhood friends striving to realize their dreams, aim to make a Yeşilçam film. Although the two friends, who devoted themselves to their work during Yeşilçam's most dynamic and popular period, thought their task would be easy, as they became more familiar with the industry, they realized that it was a much more complex and large-scale system.
The film tells the story of a man who falls in love with a woman he kidnapped for someone else. Sadık Ağa wants Rasim Ağa's daughter Zeynep. However, Rasim Ağa refuses to give him his daughter. Sadık Ağa, who wants to have Zeynep, finds a solution in kidnapping her. He asks Banuş, a notorious horse thief in the area, to kidnap the girl. Banuş kidnaps Zeynep in exchange for a sum of money and hands her over to Sadık Ağa. Sadık Ağa immediately begins wedding preparations. Meanwhile, Banuş regrets what he has done. He raids Sadık Ağa's estate, takes Zeynep, and returns her to her father. After these events, Banuş and Zeynep will fall in love with each other.
Story of three married couples living in the same apartment.
Aşk Olsun
Captured and subjected to severe torture, Çal Hasan manages to escape from the castle where he is imprisoned after a great struggle. After receiving the sultan's orders and will, Çal Hasan sets out to complete his unfinished mission, find Genç Osman, who is on the border, and raise the Turkish flag in Estergon without becoming a sacrifice.
Murat, a lawman, wants to capture a man named Kartal who has been sentenced to death. He goes to the village where Kartal has been hiding for years. No one in the village will tell him where Kartal is. The village headman tries to scare Murat into leaving. However, after some time, Murat finds Kartal and embarks on a long journey with him.
Kahramanlar
İster Darıl İster Sarıl
Kara Bayram is a poor farmer living in a Turkish village with his wife, 3 kids (4th on the way) and his old mother Irazca Ana. They live on their own until another villager, Haceli who is backed up by the Mukhtar (local administrator of the Village) starts to build a new house right in front of their's. Kara Bayram and Irazca Ana do not accept these uninvited neighboors from the first day and unwanted events start right away.
Nejat looks for his sister he lost 17 years ago. When he find his sister, she is shooted by her troubled lovers. Since then Nejat chases the revenge.
Esin lives with her uncle. She has a cousin named Bahri, who cares only about money. Esin meets the pianist Yalcin at a night club and they feel attracted to each other. Yalcin gives her music lessons, and a profound love is blossoming. Esin's uncle objects to their relationship though the two lovers get engaged. Bahri gets jealous, putting soporific in her drink, he rapes Esin. Esin gets pregnant, she breaks up with Yalcin. Her uncle believes that the trouble maker is Yalcin, he urges him to marry her. They marry, but Yalcin doesn't know about her pregnancy. Bahri secretly puts drugs into Yalcin's pocket, he gets arrested, Esin has a miscarriage out of the shock. She tells Yalcin all the truth. Yalcin is released on bail. He reaches home when Bahri is about to rape Esin. Esin shoots Bahri, Yalcin takes it upon himself. As the judge gives him the death penalty, Esin reveals the truth. He is acquitted and happy days await them.
The story of a woman who goes to prison to protect her family and a father left alone with his three daughters. You will witness the girls' sometimes comical, sometimes dramatic attempts to prevent their father from remarrying.
Sevda Yolu
The film is set in the fictional town of Balrampur where Vedvyas Tripathi better known as Bhajan Kumar lives with his family headed by his father Pandit Siyaram Tripathi. Bhajan Kumar’s life with his family was going well till a question on his identity arises that throws the city in a flurry of rumour and apprehension. Will he survive or fall prey to this onslaught?
After a whirlwind marriage with social media influencer Akhil Chadha that ends in divorce, chef Saloni Bagga meets hotelier Gurbir Pannu. One night with Gurbir – and then also with Akhil – leads to Saloni getting pregnant. But who's the father? By a one-in-a-billion twist of fate, Saloni is carrying twins – and not just any twins, each child has a different father!
Real estate company employee Komachi and steelworks heir Kodama are both train aficionados. Their hobby proves useful for their burgeoning careers, but their romantic fortunes do not go as smoothly. Will the awkward Kodama and the indecisive Komachi find the loves of their lives?
This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.