No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”
Green Myth
A short documentary about the community within and history surrounding a historically Black Brooklyn mosque, produced in collaboration with the Jacob Burns Film Center.
A portrait of feuilleton author, Marcel Allain, creator of one of Franju’s favourite heroes: Fantômas.
Joan Bakewell visits Haworth in Yorkshire, home of the Brontës, to see the setting in which the novelists worked.
Short documentary about an archetypal library concept for kids in Clamart.
Documentary profiling young Roxy Music fans. They talk about the band and the music, are seen out and about in Manchester, they prepare for a concert at the Opera House. Includes footage of a tribute band, who, due to a lack of musical instruments, use household appliances to make music.
A short experimental documentary that captures youth culture in Galway City through the conversations of the young people that inhabit it and their relationship with time.
Tanovic himself a refugee from Sarajevo interviews a Bosnian refugee in Brussels their new adoptive country Belgium.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
The roads are full of snow and the bus is late. The Principal is mad at the bus driver but he is also sick.
Short film that accompanies A$AP Mob & Skepta's collaboration "Put That On My Set." The short film is a surrealist take on drug gangs, finding Rocky trafficking psychedelic butterfly wings as part of an organized crime ring. They run a tight moneymaking operation, and "Put That On My Set" showcases the importance of the rappers' crews in the illegal business.
A grandmother, mother, and daughter quarantine together in a Tribeca apartment as they laugh about life over wine.
Devil Sea
A woman sundered from her sweetheart sings the title song as a duet with a personified Old Man Blues, in fog-shrouded woodland.
Ethel runs a run down saloon in Nicaragua. Word arrives that the soldiers are pulling out, and most of the American miners and all of the women must ship out on a vessel bound for San Francisco, but her boyfriend has been ordered to remain.
A medicine show singer finds her love.
Singer Irene is in Reno for a divorce, though her friend Bob tries to convince her it's all a mistake. Then husband Cliff shows up.
Générique du 26e festival de Saint-Paul Trois-Chateaux