Part 1 of a documentary about when Alexander Korda was asked about who might replace him when he has resigned as a chief of the production of the British Lion.
The film explores the personal and professional life of Stella Stevens, one of Hollywood's last starlets. Her career spanned from the final days of the male dominated old Hollywood studio system, through the evolution of the new Hollywood, which coincided with the struggle for women's rights, and human rights of all races and identities, for which she was an advocate.
This documentary features an on-camera interview with John Gilbert's daughter and biographer, Leatrice Gilbert Fountain.
Always the epitome of style, Audrey Hepburn fittingly started out as a model before being spotted by a movie producer. Her first major film, Roman Holiday, won her an Academy Award for Best Actress and catapulted her to stardom. Further performances in Funny Face and Sabrina Fair confirmed her status as one of the most adored actresses around. But it was when she donned a Givenchy dress in Breakfast at Tiffany's that Audrey Hepburn became an enduring style icon, her name synonymous with playful decadence and grace.
Video essay exploring Luca Guadagnino's filmmaking methods, focusing on the passionate dynamics of desire and ardent longing for connection that sizzles across his cinema.
In the 1980s, Nastassja Kinski was an international star and a true sex symbol. In just a few films, she established herself as one of the most talented and promising actresses of her generation. Discovered at age 13 by Wim Wenders and revealed by Roman Polanski at 18, she built her career around the images that directors projected onto her, seeking to break the stereotypes that people wanted to box her into. However, after a 10-year career, Nastassja Kinski disappeared, leaving us with a mystery.
For millions of viewers, Peter Falk is Columbo. Despite playing the quintessential blue-collar TV detective of the '70s and '80s, his early career is rarely explored. Using archive footage, interviews and extracts from his films and the TV show, the documentary pays tribute to the immortal character of Columbo, while shedding light on the actor’s life, one full of twists and turns, ups and downs.
Lulu is one of the most well-known Scottish singers thanks to her iconic hits including the 1964 hit cover of The Isley Brothers' song 'Shout'. After her success with 'Shout', Lulu went on to win the joint first place title on the Eurovision Song Contest in 1969 with the track 'Boom Bang-A-Bang'. In 1993, Lulu appeared on Take That's iconic track 'Relight My Fire' which gave Lulu her first and only number one on the official UK music chart. Lulu was awarded an OBE in 2000 by the Queen for her services to music and it was upgraded to a CBE in 2021. Lulu was born as Marie McDonald McLaughlin Lawrie, on Nov. 3, 1948, in Lennoxtown near Glasgow in Scotland.
A documentary about Taylor Anderson, and American teacher and member of the JET Program who lost her life in the 2011 Japanese earthquake and tsunami
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
In this concert, a take-off on the play "A Chorus Line," comic Billy Crystal uses the premise of auditions for a Broadway musical to play various characters trying out for the parts.
Every evening, Eugène Fortin becomes Madame Simone, to the delight of club-goers around town. His flamboyant costumes, a pastiche of many styles, give him the look of a clown from the end of the last century. One day, Madame Simone hears a voice urging him to go to the Wigstock festival in New York: a gathering dear to both transvestites and wig fans.
Nobody gets turned on by lists of do’s and don’ts. We need different strategies to help change sexual behaviour in the age of AIDS. This tapes attempts to eroticize safer sex practices and latex use. Rather than using explicit porn, the signifiers become gestural and facial to create an aura of eroticism. The address is pluri-sexual, the audience, everyone.
Marilyn Frye says lesbian sex is inarticulate. Maureen Bradley says, "Marilyn Frye should have been at my house on New Year's Eve." Sexy black and white images are mixed with frank talk about sex, love, and girls, capturing that gritty space between what is politically correct and what takes your breath away.
How do girls learn about the hair that mysteriously appears on their bodies during puberty? This tape takes an irreverent look at the stereotyping that surrounds body hair for women. It mixes historical research, a little personal testimony, ad-copy, and the voices of “hair experts” to create an informed analysis. Body Hair closes, in time-honoured feminist documentary style, with a radical call to action.
Features Jennifer Miller, juggler and director of Circus Amok. Miller speaks of her life and struggle as a lesbian woman who happens to have a moustache and beard. Includes scenes of circus performances, a gay rights parade, Miller interacting with friends, family, and strangers.
A documentary on the group The Radical Faeries.
Lotte Lenya - Warum bin ich nicht froh?
This documentary special follows the life of an extraordinary family and their transgendered daughter.
The Ritual to Beauty is a mixed media piece integrating the stylization of documentary and spoken word. Inspired by Shenny’s one-woman show “What Happens to Brown Girls Who Never Learn How to Love Themselves Brown?”, this piece invites you to witness the meaning of beauty through three generations of Dominican women. The grandmother, the mother, and the daughter. In learning about the ritual to beauty that was passed down to each woman, there is a pain buried deep in the denial of their blackness. It is only through the secret voice in the water, that the daughter is able to release herself from a pain she’s been holding onto since she was born. By forgiving herself and the women before her, will she finally see just how beautiful she is when she’s free?