POTTYMOUTH PAZ

On Christmas Eve, a nameless little girl reads 'The Monster's Christmas' storybook to her teddy bear, as something sneaks around in the trees outside her window. She hears a noise in the other room, and thinking that it's Father Christmas, she goes to investigate. She finds one of the monsters, who has come seeking help to defeat an evil witch that has stolen all the monsters' voices.

A socially awkward, neurodivergent youth struggles to adapt at a social gathering that quickly takes a turn into the uncanny and surreal.

Three gothic stories regarding witchcraft and demonic possession: an evil witch returns to finish off the descendants of the witch hunters who burned her 300 years earlier; a demon disguised as a sweet old woman traps boarders' souls inside a book of paper dolls; and a man, haunted by his dead father's ghost, explores the dark and enticing world of black magic.

A Brothers Grimm fairy tale involving siblings finding a gingerbread house in the middle of the forest owned by an evil witch who captures them and by fattening them, intends to have them for her meal.

Optical sound film by Guy Sherwin

One of my first 16mm films, made without a camera as an experiment in how to visualize rhythm. It equates four simple shapes with four simple sounds, made by punching shapes into black film and scratching into the film's optical sound track. The film uses a bar structure similar to a music score. Each bar lasts one second (24 frames of film) and is divided into 2, 3, 4 or 6 aural and visual beats per second (bps). These are used in alternating patterns such as: 2/3, 3/4, 3/4/6, 2/3/6 In each section of the film an arbitrary relationship is established between image, sound and beats per second, for example: circle = 12 scratches per frame (high pitch sound) at 6 bps rhombus = 6 scratches per frame (mid pitch sound) at 4 bps triangle = 3 scratches per frame (low pitch sound) at 3 bps rectangle = 1 scratch per frame (percussive sound) at 6 bps A print of the film was hand-painted in 2006 G.S.

A love story recounted not by them, but by their belongings and surroundings.

By a riverside tree, a man mercilessly beats a mysterious sack. Black fluid seeps, flames rise, and a grotesque meal follows. No matter how hard he scrubs, the stains remain. As guilt resurfaces, he comes face to face with the hell he thought he had buried.

The moon has finally risen over the people of Carle Place and it has brought with it a reign of terror! And only one teenager, William Stone, has any chance of stopping it.

The restaurant opens. Customers eat. The restaurant closes. For one employee, this daily routine becomes his personal hell.

The Greek word for mayfly (its order in biological systematics) - ephemeroptera - can be split and translated as having short-lived wings. The oldest fossil found depicting a winged creature is that of a mayfly, over three hundred million years old.

Of chaos and change and adaptation and resurrection.

A quiet and fragmental look at loneliness.

A videographic fantasia on the films of Alfred Hitchcock that quickly veers into controlled insanity. Through fervor and mania, this unconventional cinematic homage re-imagines the influence of the master of suspense. A "murdergame" means to will a dream into existence, and fall victim to obsession.

Perennial Stream is a portrayal of growth and decay. It is done on a single sheet of paper. Graphite marks are drawn, erased, then re-drawn, leaving behind a map of remains. A single, drawn line acts as a seed, which then propagates into larger forms, gathering to create a cyclic flow of movement and stillness within an abstracted ecosystem.

A short video about the processing of matter, using found footage, all food-related, as its material. A comparatively unobtrusive soundtrack, though one which underlines the seriousness of the subject, has been added.

An experimental short assembled from YouTube videos of the director’s former classmate, TV fragments, and a 2006 graduation interview recorded in Alchevsk. What starts as an ironic play with early-2000s home-video aesthetics slowly falls apart. Through montage of personal and online material, Chepelev tries to reconnect with a man he once loved – a man whom war and time have made almost unrecognisable. Laughter loses its protective function and gives way to the impossible wish to return to a place that no longer exists.

Charlie comes home to Carol.

A year after a mean-spirited prom prank turned deadly, the most popular students of Sunnydale High are summoned back for a surprise reunion, only to find themselves at the mercy of a relentless killer.

Inside a bathroom, a woman dissolves. Not into water—but into identity. Set in an oneiric, liminal space, this experimental short dissects the most banal of routines—eliminate, change, wash—and refracts them through the prism of identity. What do we flush away, what do we conceal with powder and polish, what residue do we scrub from the self? The film doesn't offer answers. It exists in the space between viewer and image, where meaning is slippery and selfhood runs down the drain.