True Vengeance

A brave warrior fights to restore peace to a town riddled by crime, one sword at a time, in this historical action saga.

The stage of this work is Saitama, a suburb of Tokyo in the early Heisei period. Immediately after the bubble burst gangster countermeasures law, there were gangsters who defended the last territory and young people who freely controlled the city. The youth conflict escalated day by day and became a force that surpassed the yakuza, and the runaways were sent to juvenile prisons one after another, where exclusive rules awaited.

唄祭けんか道中

A vengeful veterinarian and a grieving widow join forces to track down violent bikers after they commit heinous acts against their loved ones.

A Tokyo cop is sent to Los Angeles to help an LAPD detective break up a yakuza ring operating in the city.

The Hyodo-gumi boss—part of Tendokai, Japan’s largest yakuza syndicate—has been brutally murdered. Kazuma Washio (Hitoshi Ozawa), the head of the Washio-gumi and Tendokai’s wakagashira (underboss), is convinced that Yoshinari Myojin (Sho Aikawa), a former Tendokai wakagashira-hosa now running Tokyo’s underworld of thugs and mafia, is behind the killing. Around the same time, Tendokai's 5th-generation chairman Katsushige (Hakuryu) orders Washio to secure a woman named Nagi Toyama (Akane Hotta). Washio sets out with his men, Okita (Yasukaze Motomiya) and Date (Hideo Nakano), but they’re ambushed by a group of heavily armed youths. Barely escaping, they manage to bring Nagi to their hideout—only to discover she’s a key player in a power struggle over the Tokyo Casino Project. And so begins the greatest conflict yet, entangling yakuza, mafia, street gangs, the police, and even the state itself—

Kunisada Chuji is a common folk hero who looks out for poor people in the country who are at the mercy of corrupt officials. Intent on fulfilling a dying wish from one of his henchmen, Asataro, to find a decent home for his young nephew, Chuji descends from his hide-out in the mountain, and heads to the city in spite of numerous dangers that await him there.

The last in the series. Sugawara runs into two mahjong cheaters (Ichiro Araki and Mako Midori + sidekick Takuzo Kawatani) whom he takes for friends in need as his naivety prevents him from seeing their true nature.

Part 3 in a long running (8+1 films) action/comedy/melodrama series about a pair of short tempered, amoral, but not evil chinpira (Bunta Sugawara and Tamio Kawachi) thinking too big of themselves.

A bad cop is engaged in a violent chase to catch a yakuza boss. In his absence his wife runs away with another man, who turns out to be the very same man that her husband is hunting. Once he discovers this, he loses his nerve and turns in his badge. But the chase turns into a personal vendetta where the ex-cop plans to wipe out the entire gang.

The cop Himuro is picked as scapegoat by his superiors because of their own involvement in sokaiya gangster practices.

Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.

It is the third film in the Gokudo series. In this episode, set in 1937, the main character of the series gang leader Shimamura is drafted into the military and fight in China.

Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.

A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.

When Yakuza decides to take avenge his brother, the war shall begin.

A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.

A group of ruthless gangsters, an unknown woman and an escaped convict have met, in The Forest of Resurrection, the 444th portal to the other side. Their troubles start when those once killed and buried in the forest come back from the dead.

Beleaguered police detective Nishi takes desperate measures to try and set things right in a world gone wrong. With his wife suffering from leukemia and his business partner paralyzed from a brutal gangster attack, Nishi borrows from a yakuza loan shark and then robs a bank to clear his debt.

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR