Gohood Qalb

Irene is a woman in her thirties with a four-year-old daughter who has just separated from her husband and cannot find her place in the world. Determined to get by at whatever cost, she flees to a remote village in the mountains to try to rebuild her life, with the help of the lush vegetation, omnipresent nature and legends around her.

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

After losing her job, making out with her soon-to-be former boss, and finding out that her daughter plans to spend Thanksgiving with her boyfriend, Claudia Larson faces spending the holiday with her unhinged family.

Babisa has just had a beautiful baby girl. But to be released from hospital she needs a signature from her own mum, whom she has not seen since she was a child. Silent observing glances speak volumes in this fast-paced and powerful drama about complex family relationships.

Phil Weston has been unathletic his entire life. In college he failed at every sport that he tried out for. It looks like his 10-year old son, Sam, is following in his footsteps. But when Phil's hyper-competitive dad benches Sam, Phil decides to transfer his son to a new team which needs a coach. Phil steps in to be the temporary coach and immediately begins to butt heads with his dad over this new competition in their lives.

Amaia has just become a mother, and the challenge is even more significant than she imagined. So when her partner has to leave for several weeks because of his job, she decides to spend time with her parents in a lovely coastal village in the Basque Country and hopefully share the responsibility of looking after her baby. However, she forgot that even when one becomes a parent, one never stops being a daughter.

The Goddess (1934) is remade once again. In this version, Zhu Shilin tackles the anxiety concerning the clash of 20th century Chinese traditions and modern Western culture. Despite her father’s strict discipline, Fun still manages to have a boyfriend secretly and give birth to twins. After leaving her son to her father, she takes off with her daughter. Twenty years later, Fun has become a streetwalker. The three generations finally come face-to-face at the police station. Her father laments that his generation should be ousted while Fun’s generation has been sacrificed, leaving the future for the next generation to establish. Zhu carefully depicts the shame of selling one’s body without passing judgment while he finds balance and reflects on the pain in the age of progress. Even though the production was far from lavish, Zhu’s astute handling of the narrative and mise-en-scène makes this a vivid and exciting film to watch.

Son confesses to his mother, Ana, that he does not feel like a girl; he is a boy. Confused and blocked, Ana will decide to stop in order to observe and understand him and, in the same way, to understand herself. Ana and Son are two sides of the same coin: a mother who does not take care of herself, of her own identity, and a boy in search of his identity with all his strength.

Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.

The summer of '58, the year Sweden almost won the world championship in soccer over Brazil, Yngve Johansson accepts two children to live with him during the summer, as told through the eyes of a young boy. His name is Mårten, and the other child's name is Annika. She is a rough girl, with many problems. The three of them do not get along, and Yngve is a true dictator to the children's eyes. However, when the children discover that their new guardian has a crush on their teacher (Cecilia Nilsson), they do what they can to bring the two together. Soon enough, the three will discover that they have a lot more in common than they previously imagined, and together they can make their lives worth living again. This is a sweet story about life in Sweden in the mid 1900's. It is about family, love, hate, innocent friendship that we all can relate to, and much, much more...

Recently widowed after 41 years of marriage, Frank Walsh meets the outgoing Florence, sparking joy back into his life again. However, there is clear disapproval of her from his grown children, especially his eldest son Robert. As Frank and Florence grow closer in their relationship, Robert begins to change his perspective on their commitment and devotion to one another.

n the Jam Jar is an invitation to the intimacy of 81-year-old Joan’s final days, whose musings silently echo with Dan’s, her 50-year-old son. This fiction short-movie is a dive into death and grief, a tribute to maternal love comprised of nail clippings, aquarelle, strawberry jam and a ghost radar.

After suffering through a long and unsuccessful series of fertility treatments, Satoko and her husband Kiyokazu make the decision to adopt a child. Six years after adopting a boy they named Asato, Satoko has quit her job to concentrate fully on her husband and son. The family lives a peaceful existence until the arrival of a stranger.

Michaela 'Traps' Sinclair is a trans sex worker trying to get by in Vancouver while also mentoring her recently-out friend Adeline and making an attempt at pursuing actual motherhood. Meanwhile, lowly production assistant Turner finds himself dangerously spiraling into inceldom as his current relationship implodes.

When 93-year-old Thelma Post gets duped by a phone scammer pretending to be her grandson, she sets out on a treacherous quest across the city to reclaim what was taken from her.

Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains.

A small circle of friends suffering from post-collegiate blues must confront the hard truth about life, love and the pursuit of gainful employment. As they struggle to map out survival guides for the future, the Gen-X quartet soon begins to realize that reality isn't all it's cracked up to be.

Ariadna, an elderly woman, is overwhelmed by the pressure of leaving her sister in a nursing home, without having enough money. After robbing a supermarket for the first time, Ariadna will find an escape from the weight of caring for a family member with dementia.

After his daughter persuades him to move into a new apartment, aged widower Fred strikes up a friendship with his eccentric 74-year-old neighbour Elsa, who convinces him it's never too late to keep enjoying life. Although he seemed resigned to a miserable bedridden existence, Fred embraces Elsa's youthful enthusiasm as she introduces him to the path of life and entertains him with outlandish stories about her past life. But when he discovers Elsa's terminally ill, Fred decides to accompany her on the trip of her dreams to the eternal city of Rome to help her fulfil a lifelong ambition.

A portrait of a depressed mother and her child.