An intimate visual poem explores the delicate balance between change and stillness, inspired by Ethan TK Trinh’s 2025 poetry collection, “Change and Don’t.”
YAYA is a story about a filmmaker who explores the complex relationship between his family and the domestic worker who spent decades away from her family in the Philippines to raise his. This documentary is a tribute to all the domestic workers in Hong Kong, who has served as the backbone of Hong Kong's economy by unleashing a substantial female workforce into the economy and taken care of so many lives with love and care. You are all heroes in the hearts of the Hong Kong people. - Justin Cheung, the director
Since its opening in 1882, the Paris Bourse du Travail (Labor Exchange) has remained a nerve center of the labor movement. Once a hotbed of revolutionary syndicalism, and now a meeting place for the main labor federations, history is etched into the walls of the Bourse. It is from the rooms bearing the names of illustrious figures—Eugène Varlin, Fernand Pelloutier, Jean Jaurès, Léon Jouhaux—that historians (Jean Bruhat, Bernard Georges, Jacques Julliard, Jean Maitron, Madeleine Reberioux, Denise Trintant) and the Bourse's general secretary, Jean Braire, have sought to bring to life a century of social history. The general secretaries of the five major labor federations (André Bergeron, Jean Bornard, Edmond Maire, Jacques Pommateau, Georges Seguy) discuss the origins of the Bourses du Travail, but also address the present and the future.
Iin Marlina
In 1791, in Haiti, Dutty Boukman presided over a Vodou ritual in Bois-Caïman that led to the creation of the first Black republic. Since then, rituals of transformation and artistic expression have been at the core of a thriving culture as the country faces oppression, poverty, and natural disasters. "Kite Zo A” (Leave the Bones) is a sensorial film about rituals in Haiti, from ancient to modern, made in collaboration with poets, dancers, musicians, fishermen, daredevil rollerbladers, and Vodou priests, set to poetry by Haitian author Wood-Jerry Gabriel.
This short documentary features poet N Rengarajan, a migrant worker from Pudukkottai, India who sustains a practice of poetry as a way of life while working in the construction sector in Singapore. The film, structured around three of his poems, seeks to visually mirror the rhythm and tone of his writing. Together, verse and visuals strive to draw attention to the poet's acute illuminations of the realities of migrant life.
Interviews and images from the work and leisure time of guest workers in the Federal Republic are combined into a militant appeal for solidarity.
Every year, a Kurdish family leaves Gaziantep (Anatolia) to work on the land near Ankara. This thankless life of seasonal labor turns upside down when the eldest son falls in love.
From the Sahara to Mellila, witnesses talk about how they narrowly escaped death, unlike their companions - all migrants who were literally and symbolically swallowed up by the frontier.
Summer unveils a new blueberry season in northern Canada. The fields are covered in blue and workers from all over scramble before the frost puts an end to the harvest. And yet this time of year is much more than just picking: it's a time of music and connection.
Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.
The life and literature of Mato Grosso do Sul poet Manoel de Barros. Alternating sequences of interviews with the poet, verses from his poetry, and statements of connoisseurs of his literature, the film portrays a revealing panel of the author's language. Manoel de Barros, age 91, with some 20 books published, lives in Campo Grande. Acknowledged, the winner of several literary prizes, he is the Brazilian writer who accounts for the greatest sale in poetry in Brazil.
A documentary about migrants in the Netherlands, living, working, and dreaming of home.
In fremder Erde (In Foreign Soil) documents the Muslim traditions of burial in Turkey and Germany, but above all, the paths the dead take to return to Anatolian soil.
Five inmates recite poetry while time keeps passing by.
Explores the little-known history and humanity of the unsung Filipino nurses risking their lives on the front lines of a pandemic, thousands of miles from home.
This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.
Rotem Genossar, a teacher at the Bialik-Rogozin campus in south Tel Aviv, founds a running group for his students, young African refugees whose families fled their homeland and now live in Israel without any legal status. At first running is just a social activity for the students, but it quickly becomes a means to fight for their civil rights, part of a struggle to secure them a place of their own, out of the margins of Israeli society.
In 1976, Indonesian contemporary poet, Sutardji Calzoum Bachri, reads his poetry collection titled 'Amuk'. After 37 years, the sound record archive of that event is found in Jakarta Art Council. Using the archive, Rencong a.k.a DANGERDOPE, a hip-hop DJ from Aceh staged a music show.
A portrait of artist, actress, poet and occultist Marjorie Cameron, presenting images of her paintings and recitations of her poems.