Up the Yangtze

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.

A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.

A sex columnist gains popularity even while a ban on comprehensive sex education in schools is adopted by approximately a third of India’s states.

Scientist Mark Plotkin races against time to save the ancient healing knowledge of Indian tribes from extinction.

Bye Bye Barcelona is a documentary about a city and its relation to tourism , on the difficult coexistence between Barcelona the city and Barcelona the tourist destination

Pauline, a plucky Super Ager from Erie, Pennsylvania lives her 102nd and 103rd years on camera, revealing the power that family, faith, purpose, a sense of humor and some good genetics play in a long, well-lived life. An intimate portrayal of grit and resilience emerges with a needed acknowledgment of the often overlooked role of women in America's "Greatest Generation."

BROTHERS AT WAR is an intimate portrait of an American family during a turbulent time.  Jake Rademacher sets out to understand the experience, sacrifice, and motivation of his two brothers serving in Iraq. The film follows Jake’s exploits as he risks everything—including his life—to tell his brothers’ story.

This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."

Stuck in a creative rut, filmmaker Gilda Pourjabar returns to Iran, her homeland, to talk with her brother Siamak, an illustrator based in Tehran. This encounter raises questions about their relationship to Western popular art, as they grew up in a culture that the current political regime describes as “westoxicated.” This documentary uses playful animations by Siamak, inspired by Franco-Belgian comics and rock concert posters, superimposed on archival footage of the most recent popular uprisings in Iran to become a logical collaboration for these artists who shared a record collection as children. Together, they examine how art slips through the cracks of repression to light the rebellious sparks in the hearts of young people.

Two men, the hint of a sofa corner and a pile of letters. Using minimalist means, the film tells the story of two brothers caught between exile in a foreign country and resistance in the underground. It takes us back to the time when the revolution seized power in Iran and tells of life between the fronts. Daniel Asadi Faezi sketches the story of his father and his brothers - based on correspondence that has lain in the cellar for 30 years.

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

You find yourself turning 30 without being initiated into the mysteries of love. What happened? LOVE ALIEN is a filmmaker's radical, subjective look at his life's problem. Accompanied by his camera, he explores the unknown world of lovers. On this journey he encounters relationship counselors, wardrobe consultants, partygoers, Valentine's Day shoppers, a neighbor's cat, his own family - and women. A filmmaker's cinematic attempt to find his first girlfriend.

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives with the street hardships, and the fact of leaving is linked to the depredation of that place.

Produced by Johnny Knoxville and Jeff Tremaine for MTV and Dickhouse Productions, The Wild and Wonderful Whites of West Virginia is a documentary about the renowned West Virginia outlaw Jesco White and his eccentric backwoods family. In addition to getting in trouble with the law, the Whites, who live deep within Appalachia, uphold a time-honored dancing style, even as they contend with poverty, drugs and other issues. Alternately humorous and sad, the movie is an unflinching look at life on the criminal margins of rural mountain culture.

Disrupt, reject, destroy, avoid: At the interrupted rhythm of the broken photographs that a granddaughter has rescued from her grandfather’s hands, the last piece reconstructs the memory of an older man who has decided to leave behind his life impulses to surrender to sleep and calm. An essay on the act of joining our memories, the illusion of remembering and the freedom to forget.

When she realizes that her grandmother, the woman who raised her, is losing her sight, the director decides to explore the bond that unites them through the episodes of non-vision that these three generations share, the memories of the past, the misunderstandings and the new memories they seek to have in common.

Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.