With the enforcement of the new Entertainment and Amusement Law, what will happen when fashionable massage girls have lost their way?
Ijô Kaikan 24-ji
Night Ecstasy: Hentai Shiiku
Mako and Satomi, two high school girls, always talk about boys. Satomi is already having an affair with her tutor, Kobayashi, and has already experienced sex. Feeling left behind, Mako heads to Harajuku, a mecca for teenagers, hoping to lose her virginity. There, she is picked up by a cool college student and has her first time in his room. However, the man then forces her to take clients for him...
His young wife was assaulted by a man, and they continued their loving relationship after that, so they avoided a criminal case, but a divorce by agreement was reached in the family court. However, in her hidden side, her husband was also a molester. This is a story that exposes these crazy sexual lives and depicts the madness of sexual desire between men and women.
The Climax Muhan
Homma, a shy and hard-working car mechanic, said goodbye to Mao (Maya Sawamura), a delivery health girl who has forgiven her heart for three years. This is because he started dating with an office lady named Yurie (Meguri) who he met at a matchmaking party and got engaged. Mao was a little jealous when he realized that he secretly loved Honma, but wished for the relationship between adults and the happiness of Honma. On the way home one day, Homma found a dirty kokeshi doll, cleaned it with a handkerchief moistened with water, and placed it on the flowerbed. That night, a strange young woman (Yui Kawagoe) visited the room. She forcibly went up to the room and said that she was a kokeshi doll...
On a rainy night, the lights in the windows of the apartment complex go out one by one. Chiaki Onda (Junko Miyashita) was waiting for her husband, Hajime (Akira Hanagami), who came home late tonight. Dinner is cold and the children are already asleep. A rift had already formed between Chiaki and Hajime, and sex was nothing more than a means of fulfilling Hajime's sexual desires, and there was no joy in it. An attraction to her classmate's driver awakens...
Misato (Nana Aida) was a young lady who grew up in a wealthy family, but she married Kazuya Natsume (Takahiro Nomura) when she became pregnant. .. However, she has a miscarriage. As a result, Misato's heart was deeply hurt, and her husband and wife were also jerky. Father Kinoshita (Yutaka Ikejima), who was worried about his daughter's family, visits the Natsume family (Misato Studio). Kinoshita, who holds the chairmanship of a large company, built this elegant house for his daughter and his wife. Kinoshita is worried that Kazuya might think about divorce because he couldn't have a child, and he invites Kazuya to come to his company, but Kazuya finds the job of editing a magazine worthwhile. I refused because I was doing it.
Ai, an office lady, is raped by her boss, Hase, at a New Year's party at work. Hase's wife, Hinako, mistakenly believes Ai to be her husband's lover and goes to her apartment with a knife, but accidentally stabs Ai's live-in partner.
A taxi driver kidnaps a fare and imprisons her in his apartment.
Inran'na kankei
Demodori: Nikutai no uzuki
Saeko had an affair with Kuno, a photographer, but after the car they were driving in had an accident, she has withdrawn into a villa in Shonan. One day, she meets Shinji, who rides his motorcycle in front of her beach villa every day.
In a gritty coastal town, scandal and perverse desire ignite a relentless spiral of illicit encounters. The tale centers on Tamayo Mochizuki, a married woman whose secret trysts with her lover Yoshiyuki unfold in a secluded, rocky cove—while a group of lecherous onlookers spy with voyeuristic glee, tossing crude, provocative remarks. As passion intensifies, the rendezvous devolves into a chaotic melee of lust, sex and betrayal; what begins as daring escapades quickly darkens into brutal power plays where forbidden desire and violence blur. Amid raucous seaside parties and seething rivalries, erotic debauchery unravels in a night marked by twisted seduction, intense sexual acts, shocking coercion, and the irrevocable shattering of lives by uncontrolled, corrupt passion.
A mother, daughter, and their fiancé are enjoying a vacation at a villa near the ocean when suddenly a trio of people - a middle-aged man, a woman, and a young man - break in. Three outsiders and three ordinary people feel what it means to "live" through abnormal behavior. All of them are antisocial.
A housewife covertly works in a high-class brothel in Tokyo with other married women. She never wants her husband to know that she is a prostitute. The brothel and its employees were making good money, but after the accidental death of one housewife, things begin to go wrong.
Miku (Yui Kawagoe), who is deep in sex, was a virgin without connecting her lover Otake and her body. There was always a undershirt woman beside Miku. In fact, the undershirt woman was Miku's aunt, the spirit behind her, and she who lived in the Edo period was a sexually greedy and free-spirited woman. However, such a personality was so bad that he was not blessed with a man, and he came down to the present life to fulfill his feelings of pleasure through his offspring Miku. One day, Miku, controlled by the aunt of the spirit behind him, invites Otake to the night of his first experience, but when he reaches a good place, he gives up because of the pain. Then, Otake gets angry when he gets angry, and the two become catastrophic ...
A love story involving a small theater director, his actors, and a former idol talent.
Kôshoku engi: Nurenure