Music has the capacity to breathe life into a cinematic image. The evolution of Hindi film music has been shaped by technological changes in the recording industry as well as other cultural forces like the local Ramlila tradition, the narrative structures of Hindi films and the rising prominence of women characters within those narratives. But despite these wide range of influences, what remains central to Hindi film music is the way the sounds, lyrics and notes touch a chord with the common man. From the streets of Bombay, to the local barber shops and the booming remixes floating in urban clubs that has generations of youth gyrating to the beats very few spaces have been left untouched by Hindi music. Arun Khopkar's musical journey is accompanied by equally joyous camera movements and thus, manages to provide a nuanced understanding of the elements of Hindi film music and how the orchestra, percussion and western influences created a harmonious confluence of unique musical patterns.
"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).
Experience the energy from one of Queen + Adam Lambert's TEN sold out 2022 concerts at London’s O2 Arena in a live concert film delivered digitally to your home. The band will also be participating in a LIVE Q&A where they will answer fan-submitted questions from backstage at one of the final Rhapsody Tour concerts to introduce the show.
Dobradiça Entrevista presents laid-back conversations and artistic performances for YouTube. Dobradiça Entrevista is under the umbrella of Dobradiça Enferrujada Records, a music label from the Federal District - DF, Brazil focused on free improvisation and experimental art.
O Imperfeccionista
A documentary film by Andy Crofts about Paul Weller. 'One is one year in the life of Paul Weller and his band. It’s a montage of sights and sounds we have witnessed on our travels around the world.'
In 1973, Juan Chopin Thermes found Juan Cayambe playing his harp in the Ibarra market (Ecuador). He takes it to his house and records his music on magnetic tape. As a result of this encounter, the music and poetry of Juan Cayambe survives. At the end of 2022, musicians from Imbabura and musicians residing in Paris will record new versions.
"Manoel" captures Sensible Soccers' journey as they celebrate a decade together as a band by reimagining soundtracks for Manoel de Oliveira's classic films. The documentary delves into the poetic intersection of cinema and music, revealing the delicate harmony between these two timeless art forms.
In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.
Explores the life and innovations of composer and electronic music pioneer Suzanne Ciani.
Documentary on the recording of the Album Una vez iniciado el fuego by Sakatumba
"Not a documentary but the the ruins of an attempted documentary." - Grashina Gabelmann Nico’s solo concert in West Berlin 1986. She’s high, giggly, not entirely there but her voice is still haunting and raspy and her presence still the one of a star. We see short clips of an interview held the same year in a hotel – an interview Gaul found somewhere, where he can not remember. We see footage borrowed from Andy Warhol’s estate. Footage of factory parties and screen tests.
Damiano David's short film for the presentation of his first somo album: Funny Little Fears. He speaks and sings about his fears.
Follows the story of the groundbreaking Texas-based art-punk band founded by frontman Gibby Haynes and guitarist Paul Leary.
The Choir and Conductor is about a visionary conductor hired when few women were given the chance to conduct and her extraordinary impact on thousands of children who love to sing together in the LACC, now world renowned. The story takes place in Iceland and Norway where conductor Anne Tomlinson leads her last tour with 65 choristers. As they rehearse songs of social justice, of mothers and martyrs, of warriors of change and songs of beauty.
American Music Awards 50th Anniversary Special, a two-hour retrospective special, will air on Sunday, Oct. 6. It will celebrate the last 50 years with stunning new performances, heartfelt artist interviews, and legendary special guests. It will also showcase exclusive, never-before-seen footage from DCP's vast archives, highlighting iconic moments that have shaped the awards show and influenced pop culture.
In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.
A phantasmagorical audio-visual overload of vampiric Philaspychogeography and pure psychic energy made manifest via filmmaker Nathaniel C. Shannon (Saint Vitus Bar: The First Ten Years Book, Deadguy: Killing Music), with score and sound-design by Don Devore, founding member of legendary Philadelphia hardcore band Ink & Dagger.
Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.
Moi, Magyd Cherfi : portrait intimiste d'un chanteur devenu écrivain