After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
A surreal music video where a pop-up world of greed, rebellion, and revolution unfolds as cherubs, a devil, and a modern-day Jesus clash in a satirical battle for justice.
The portrayal of a gargantuan baby splashing through silver paint.
The word “me” sinking into a bubbling puddle of metallic goo. The piece is about how narcissistic artists have to be to make their work, but by admitting their narcissism, they can at least take some steps to control it.
The model’s feet are uncomfortably squeezed into the heels, and her movements are slippery on slick silver liquid, before she slowly and ominously destroys the glass pane separating the subject from the viewer.
After his death, a young man stuck in purgatory attempts to cope with the afterlife.
An Assassin is cursed by the souls of the people he killed in the past. Now, he is a Grim Reaper, a demon who receives constant punishment for his sins. Consequently, on a journey to hell, an Entity confronts the Assassin in a philosophical-moral debate about the meaning of forgiveness, the imprisonment of guilt, and the existence of redemption.
In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)
Un Baiseur de plante
In the dining room of the abandoned house a white, faded entity feeds on her pieces. Memories keep her here and time transforms her into something new.
Pandemonium
"MVCK BATH" Liam Hartelli's first original short film. A Visually stunning and grotesque ballad of the gastric underworld.2wZ
Through thread and textile, an Asian seamstress tries to escape from the factory.
A guy named Ray tries to go to sleep and a sasquatch gets into funky business.
Models are seen licking brightly colored candy on a sheet of glass. The video illustrates the moment where clarity becomes abstraction and beauty commingles with the grotesque.
Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.
A man contemplates whether or not it is possible to do something unique.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.
A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.