Three Studies of a Nightingale

Deep in an ocean facility, Aryanna, must face the unknown, as drips from water-tight air vents and scratches from within empty cells drive her to the brink of madness.

A boy waits in the same street every day with his bags packed. What is he waiting for?

Tirsa, Elián, Teo, and Avril are imprisoned in a boarded-up house. In just a few minutes, their sentences will finally end. However, a call reminds them of the rules for getting out. The appearance of an external presence will put freedom at risk.

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.

A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.

Energy cannot be created or destroyed. When we die, where does our energy go? Inspired by Vauhini Vara's essay "Ghosts", in which she prompted Al to help her write about her sister's passing, "GHOSTS" takes us on the emotional journey of grief. We see a ghost figure trying to get through to her sister, who is still alive, and let her know she's still around somehow. There are two poems in this piece, one is a poem written by GPT 3, and the next is the director's (Oriana Mejer) response to it. This film uses spoken word poetry, TouchDesigner motion graphics, and is originally scored by French musician Taime.

Surrounded by old toys and distant memories, Alicia loses the notion of time in the house she grew up in. As the ghosts of her past confront her, she’ll have to face their torment before they wither her away

travelling through time and space to a place where, it seems, you used to be happy in.

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

A wandering suit man finds love, but that’s not his true desire. Through a seductive encounter, he begins to reveal his own identity and delusions surrounding him.

"When Mollie's routine between a real and surreal gets interrupted by an uncalled visitor, the line between reality and dream blurs."

Daniela (24) is a ghost in pain. Her life ended suddenly and painfully, leaving her friend and roommate, Mónica (22) alone in their shared apartment in Santiago, Chile. Daniela feels her frustration grow within her, as she fears that her time in limbo will never end.

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

In this 60 second art piece, a dog named Layla is called upon by nature to defend harmless daisy flowers from the wild grass that is conquering their territory.

Keratin is a collaboration with the London Sinfionetta, visually responding to Gavin Higgins' Seven Welsh Folk Songs: I. Dacw 'Nghariad i. The film tells the journey of a mating of elements, two bodies grieve over a lost third: a child separated from their womb. The three bodies bound by their keratin, regain connection in a wombic journey which spiritually networks the three into a fused collective body.

Through Martian horizons, she gazes upon the world she’s only known through tales of scrap screens. Colors altered by fading memories, and shapes molded by imagination... Her perception of Earth, a symphony played by fragmented notes, an artwork painted by distant echoes. In the embrace of Mars, she carries the fractured essence of a heritage lost in space. Generations adrift in the solitude of the Martian plains, lives in a kaleidoscope of the world.

A young artist is caught in a physical and mental battle against a supernatural entity that forces him to free it from its dark prison, ¿or is it just his imagination?

Missed connection regret at that one late-night spot—the kind you keep playing back in your head but not quite ever remembering right, until it starts to look like something else.