Missing Fangs

Transylvania. Seventies. Mina and Lucy, two friends very attractive, they are mysteriously drawn into a surprising and terrifying story whose protagonist is Jonathan Dracula, a direct descendant of Count Dracula.

A man travels across New York City to get a Nathan's Famous hot dog.

Newly released from jail, an ex-gang member asks a former contender to teach him to box.

An alien policeman comes to Earth to hunt down a renegade of his own race.

When Syd, a young editor at an influential art magazine, becomes involved with her neighbor, a drug-addicted lesbian photographer, both seek to exploit each other for their respective careers while slowly falling in love with each other.

Sexy nightclub dancers get trapped in a dark, creepy castle for the night.

A congressional candidate questions his sanity after seeing the love of his life, presumed dead, suddenly emerge.

When a man's best friend is killed on the streets of New York, he transforms into a violent killer, turning New York into a war zone.

Flor, a girl who has a complex relationship with food, receives an unexpected visit from her friends. This will trigger a series of self-destructive events that will lead her to face her demons, both physical and psychological.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

A short film prequel to the feature film, The Vampires Of Soho. Set in 1982, the film tells the story of Mel, an idealistic young girl who falls in with a bad crowd - vampires.

In an alternate world, humanity and vampires have warred for centuries. After the last Vampire War, the veteran Warrior Priest lives in obscurity with other humans inside one of the Church's walled cities. When the Priest's niece is kidnapped by vampires, the Priest breaks his vows to hunt them down. He is accompanied by the niece's boyfriend, who is a wasteland sheriff, and a former Warrior Priestess.

"A socially anxious college student reluctantly heads to a party attempting to make new friends. Nande Walters directs “Who Are You Really?”, an experimental portrait of insecurity characterized by a raw, youthful energy. Anya walks into the room and immediately feels like everyone is judging her. Eventually she strikes up a conversation with a young man, but neither really knows what to say and it doesn’t go anywhere. After struggling through the awkward night, she’s surprised to learn that an extroverted friend didn’t fare much better. Walters is only 19 years old, one of the youngest we’ve ever featured on NoBudge, and her film is the work of an artist still learning her craft but she clearly knows the feeling she’s after and captures it with pops of style and a touching closing monologue." -Kentucker Audley

“King” delves into the intimate realm of men’s mental health through a poignant exchange between a young man and his barber in a vibrant Dominican barbershop. Through candid conversations and mutual support, the film explores the complexities of masculinity, identity, and emotional well-being within the context of a culturally rich community. “King” offers a compelling portrayal of the power of dialogue and fellowship in navigating the challenges of modern life.

In downtown Manhattan, twentysomething Allie, whose father is not around and whose mother is institutionalized, is a big Charlie Parker fan. He almost subconsciously searches for meaning in his life and meets some idiosyncratic characters along the way.

Erin and Garrett are very much in love. When Erin moves to San Francisco to finish her journalism degree and Garrett stays behind in New York to work in the music industry, they gamely keep the romance alive with webcams and frequent-flyer miles. But just when it seems the lovers will soon be reunited, they each score a big break that could separate them for good.

Vera and Vanja, two vampire sisters, are forced to run for their lives, when Vera kills the leader of a biker-gang in a night club. While escaping from the bikers, Vanja gets more determined that she wants to leave the outcast vampire-lifestyle and adjust to the human world. She wants to live a normal life, even though it means the end of a life together with her sister. Vera won't accept a life in solitude and is willing to fight to make her sister stay.

A young and devoted morning television producer is hired as an executive producer on a long-running morning show at a once-prominent but currently failing station in New York City. Eager to keep the show on air, she recruits a former news journalist and anchor who disapproves of co-hosting a show that does not deal with real news stories.

A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of 16 years leaves her for a younger woman.

Sam Roberts thinks he has all the answers: the purpose of life, the meaning of love, the plan for a perfect future. Until Charly walks into his life.