Chacal

Leo San Juan, an insecure child of nine years old, lives eternally frightened by horror stories that Nando tells his older brother. Within these stories it is 'The Legend of Nahuala', according to which, an old abandoned Casona is possessed by the spirit of an evil witch known as the Nahuala.

Jorge, an Argentinian writer in the 40ʼs, and Luis, a Mexican game developer in the 2020ʼs, investigate a mysterious question: What is Tlön? What is Uqbar? As each of them finds new answers, Tlön’s mystery will unveil bit by bit, exposing them to a revelation that will change their lives...

Animated Argentine film about a young girl turtle who gets lost on a balloon trip.

A 3D dragon has become a 2D character. In his quest to recover, he discovers fragments of Argentine animation, new friends and teachings.

Vairitosky is an immortal artist. His act consists of dying in different ways, and then magically resurrected. The public is impatient, wants to see Vairitosky, who does not come into play. What will happen?

El arte de recuperarte

When Caro and Marce go on vacation they find a new friend, Buji, and just like Dibu, she is a cartoon animated kid. Abu, Pepe, Víctor, Leo and Dibu are left alone at home and they have quite an adventure when they decide to sign-up Dibu in a go-cart race.

Crónicas

Portrait of the Argentinean capital of Buenos Aires by different filmmakers and cartoonists, in four chapters, displaying a rich combination of techniques. Each episode shows its own aspect of the soul of this magical metropolis, in this era of ruthless globalisation. With humour and emotion, and featuring the tango.

Mexico 1914. During the Revolution, a raid by the army in a small mining town leaves Gapo, 11, orphaned. Taken captive to be turned into a child soldier he escapes with the help of Juan Escopeta, a gunman for hire. Together they travel through a country absorbed in civil war in search of Gapo’s older and only brother: a famed revolutionary outlaw.

El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.

La IA un futuro por descubrir

De la idea a la pantalla con Glow Animation Studio

Ensenada'55

Animated gags made by Quirino Cristiani, Argentina's foundational animator.

Cortes tontos: un restaurante elegante, un abogado y una silla para bebés

Huellas hacia el adiós

Colección Privada

Patagonia, Argentina. A mechanic who dreams of a different life begins to think big after his adopted puppy Bombón wins first prize at a local dog show.

A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients. But nothing is what it seems. Behind the gates of the drugstore the story will unfold in two times. On one side, to the inevitable end: the police will shoot their way inn. And on the other side, to the past, unveiling how Jesús got caught in this situation, where the hostages are not the real victims, but something more sinister. Retracing step by step, reveling the truth, playing with the prejudices and beliefs of the audience on racial hate, social prejudices, and the intolerance. How far are we willing to go to survive?