My Blue-Lines

Sofia was forced to leave her home and is now homeless. The young woman spends her days wandering the alleys of the University of São Paulo campus, where she offers her services as a tattoo artist. One ethereal night, her wanderings mingle with memories of an unfulfilled love. Wrapped in a dark, melancholy atmosphere, the film contemplates the fragility of a youth left behind. In a story that transcends borders, the life of an impenetrable fictional Sofia is imbued with the experiences of the actress of the same name who plays her. As enigmatic as an oracle, the original Portuguese title evokes the impermanence and ambiguity that haunt Sofia. She is carried away by perpetual motion, her future forever unknown.

Manu loses herself in the mirror amidst political turmoil. The film delves into her identity quest, intertwining with the broader struggle for transgender acceptance and authenticity.

Sobre Nós

Nunca me Viram Gritar

A group of three friends, Rodrigo, César and Vitória, have a date at Vitória's house after a long time without meeting due to the COVID-19 pandemic. They sit in her backyard with a few bottles of beer and a joint, chat as it gets dark and each one brings up their own existential conflicts, perhaps looking for a solution, or leave with even more questions...

Livres Escolhas

Lilith

Polvo Livre

From fragments of the daily life of an autistic boy and his father (the director of the short film), a declaration of filial love is constructed and the fears they must face in a world that still rejects diversity are raised.

RefleXions

Perspectiva (Versão da Diretora)

Chaguinhas

Matriarcas da Serra

Skate: A arte da resistência

The Come Back of Who Didn't Leave

Medo de Sobrar, Medo de Sonhar

The year is 1946. Under the strict orders of their father, Adam drags his younger brother Ali to witness their grandfather's corpse get washed before burial. Their cousin Iman, their constant playmate, is excluded from the ritual because she is a girl. The sight of the corpse has a profound effect on Adam; he announces that he doesn’t want to grow up and, from that moment on, he stops aging. As the years pass, the villagers come to believe Adam is cursed, while his brother, grappling with his own aging, feels Adam should be institutionalized. Only Iman and Anki, a shepherd and Adam’s lifelong best friend, see his condition as a blessing, preserving in him the pure, innocent goodness of a child. A haunting and beautiful story set against the oases and dust storms of Iraq.

Both Iman and her younger sister dream of finding true love, within the strict parameters of life. For Iman, there is an obvious obstacle: she is a Little Person, only 119 centimeters tall, which puts her out of the running for an arranged marriage. Instead she goes online, hiding her size and compensating with her big laugh and big personality. Her sister has an offer of marriage, but Khaled’s family has second thoughts when they meet Iman. To put things off, the man’s mother insists on a top-of-the-range refrigerator as a dowry. A light-hearted but fascinating mix of issues around marriage, disability and sisterhood, with a magnetic star performance by Mariam Sherif at its very big heart.