Slideshow

Coffee Break

Omnibus film with 13 short films by students of the HfG Ulm

A lonely man tries to enjoy a regular evening

Smoke

An experimental short from Oskar Fischinger

Through an imagined dialogue with Jean Paul Riopelle, this experimental film updates the painter's legacy by seeking to build bridges with today's generation. Part homage, part self-portrait, this short film is above all an intimate reflection on the courage to be oneself.

Experimental Super 8 short by Kenji Onishi.

Experimental Clicks

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

A strange being loses its way in the chaos of the transportation system without finding an exit. The pathways are overwhelmed by accelerated flows that come and go like human waterfalls. The passersby, faceless, move automatically, creating a maze in which the routes seem endless. Sleepy and exhausted people merge with the surroundings, and as the bus continues on its way, the being finally manages to discover itself.

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

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Organising Principles of Experience is an experimental short in which an AI model, tuned to the writings and sensibilities of Maya Deren, collaborates with the filmmaker to imagine new films. It explores memory, possession, and the digital afterlife, questioning what remains when the past becomes data and how an artist might lay claim to her absent hero.

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.

A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.

Joey works as a waiter for a hedonistic community of summer holiday makers in a small Mediterranean paradise. It is unclear if their exaggerated behaviors are due to the fact that the summer is coming to an end or if its just the last of their summers.

Shots of Paris on May 15, 2016 with a Parisian narrator telling us the story of May 15, 1848, when protesters finally pushed the establishment to let them have a popular vote to elect their ruler.

A short experimental film that thematizes dreams and nightmares in a surrealistic way. The basis of the movie is found in the poetry created by the two directors, so the film partly seems like stringed lyrical motifs, open to arbitrary interpretation, giving the impression of poetic images arranged in sequences. Combined techniques were used, so in addition to recording with a camera, pixilation, object animation, collage and liquid animation are featured.

A collection of memories from a tumultuous time at University.

Relaxing in the park, haunted by the tower, city, and modern world, hallucinated by the internet.