La Colline des chefs

Domy mrtvých

Modest Gods

Two thousand years ago, it was a flourishing city in the middle of what is now a Syrian desert. At the crossroads of trade routes, Palmyra attracted caravanners from Mesopotamia, India and China. In what remains of its ruins, rediscovered by Europeans in the 17th century, its numerous necropolises bear witness to a prosperous past. Carved in limestone in the first centuries of our era, the faces of the representatives - men, women and children - of its greatest families adorn the walls of its tombs. Since 2012, Danish archaeologist Rubina Raja has been leading a long-term project to find, document and retrace the family trees and daily life of these Palmyrenians.

In this gripping investigation, archaeologist Pepi Papakosta is on a hunt for Alexander the Great's lost tomb, and she makes an extraordinary discovery.

Filmmaker Kevin McMahon accompanies the Haida delegation on a repatriation trip to Chicago in 2003. His film reveals the whole repatriation process through the stories and experiences of the people who participated, both Museum staff and the Haida people.

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Scientist Mark Plotkin races against time to save the ancient healing knowledge of Indian tribes from extinction.

A unique interview with Tooba Gondal, the woman who groomed and lured scores of Western women to join ISIS. Using social media, she became a deadly matchmaker, recruiting a number of high-profile “jihadi brides” for ISIS militants in Syria: she allegedly helped organise the transporting of three British schoolgirls, including Shamima Begum, to Syria.

Outside the Sudanese capital Khartoum, the remains of an ancient city stand in the desert. Are you ready to dive beneath the pyramids of Sudan's black pharaohs?

This historical drama tells the story of Qin Shihuang, who unified China's vast territory and declared himself emperor in 221 B.C. During his reign, he introduced sweeping reforms, built a vast network of roads and connected the Great Wall of China. From the grandiose inner sanctum of Emperor Qin's royal palace, to fierce battles with feudal kings, this film re-creates the glory and the terror of the Qin Dynasty, including footage of Qin's life-sized terra cotta army, constructed 2,200 years ago for his tomb.

THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.

Come back with us to Ancient Greece, 2,500 Years ago to the original Olympic Games. The ancient Games, like our modern Olympics, included champions and cheaters, glory and scandals, bitter rivalries and contests of strength, speed and savage combat. Set in 448 BC when the pounding of horse's hooves and the brutal hand-to-hand combat could be heard and seen by the crowds that filled the Olympic stadium. This one-hour special event follows the glory and corruption of the arc of a single, five-day Olympiad. The competitions include chariot racing, running, jumping, discus, javelin and two man-to-man combat finals-boxing and pankration, a form of extreme fighting in which death was not uncommon. With the help of sports historians and great athletes such as George Chuvalo and Olympic medallists Donovan Bailey and Angela Schneider, viewers travel back to a very different life-in a very different world.

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

L'autre monde des dinosaures

2017 Oscar Nominated Short Films: Documentary

The story of the Trojan Horse is probably one of the most famous stories ever told: after ten years of bloody war, the Greek coalition decides to lift the siege and depart, but not before leaving at the gates a huge wooden horse, which the Trojans confidently lead into the city. A few hours later, the once invincible Troy goes up in flames. What exactly happened? Is this myth true or false?

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

Wild Honey

Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and future in Homs, Syria. Behind the self-portrait of an exsanguinated population in search of normality emerge memories of the city, haunted by destruction, disfigurement and loss. A deeply moving film, a painful echo of the absurdity of war and the strength of human beings.