A gang of bandits led by Faustão intervene in a fight between two members of rival families, the Pereiras and the Araújos. Henrique Pereira, son of Colonel Pereira, is wounded in an ambush. Faustão rescues him and demands the father to pay a ransom in exchange for the life of his son. The bandit makes it clear to Henrique that he is not a prisoner and that he is only obeying the law of the backlands. Lucena, a henchman working for the Araújos, finds Faustão and offers twice the amount being asked to the colonel in order to take Henrique as a prisoner, but the bandit refuses the offer. Colonel Henrique pays the ransom, but the son refuses to return home, even being aware of the feud between his family and the Araújos. The young man chooses to join the gang.
Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.
La détresse et l'enchantement
The National Theatre's live theatrical production of Tony Kushner's two-part play 'Angels In America' about New Yorkers grappling with the AIDS crisis during the mid-1980s.
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. This new staging of Tony Kushner's multi-award winning two-part play, Angels In America: A Gay Fantasia On National Themes, is directed by Olivier and Tony award winning director Marianne Elliott.
Today is a big day for Sylvain Sabourdin: he has to meet his future father-in-law, go through a job interview and make big decisions. But while he is getting ready, a power outage prevents him from shaving completely and leaves him with a moustache: Hitler's moustache.
With their faces of sweet lunatics or lighted beaufs, citizens of the ordinary or pochards between two wines, they interpret, in twos or threes, conversations seized on the zincs of the bistros or in the corners of our kitchens. A few minutes of delirium or absurdity. The Deschiens are the actors of Jérôme Deschamps's troupe, who, as usual, with his accomplice Macha Makeieff, track down the little nonsense of everyday life, between humor and ferocity.
La Flambée
Ohnsorg Theater - De wohre Störtebeker
The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.
Filumena Marturano is a former prostitute who has been living for years with Domenico Soriano, a wealthy Neapolitan pastry chef who was once her client. To force Soriano into marriage, the woman pretends to be dying in order to invoke a "deathbed" wedding, but the charade fails and Don Domenico tries everything he can to annul the sacrament. Filumena is forced to come clean.
Marie Stuartovna
When a beautiful first-grade teacher arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max, who quickly falls in love with her. Max turns to the father of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention.
Rock opera on the rise and fall of Estonian prog rock band "Ruja"
In 1972, Czechoslovak Television recorded a performance by the Vinohrady Theatre, which was very well received. Moliere's comedy The Miser was staged on a turntable, but in period costumes and scenery, without any hint of updating, in a traditional translation. However, it was modern and contemporary mainly thanks to the stage direction of Jaroslav Dudek and the excellent acting performances of the main actors, led by Miloš Kopecký in the role of Harpagon. His civil speech, which was not devoid of majesty, anger, imperiousness, dislike and lack of feeling towards those closest to him, was supported by the equally precise performance of Jaromír Hanzlík and Daniela Kolářová in the roles of his children, Jiřina Bohdalová as the matchmaker, and the other actors. The comedy in their performance is timeless and will delight lovers of classical theatre even today.
Mariša
A screenwriter gets conned out of selling a script to a Hollywood producer by his brother, who pitches his own idea for a movie. This video recording of the 1982 Steppenwolf Theatre Company production was later broadcast by PBS.
Le Malade imaginaire
In 1976, the Czech New Wave philosopher and director Evald Schorm came to the Na zábradlí Theatre. He stayed there for twelve years, until his death. He raised a generation of actors who were aware of their own personalities. In The Brothers Karamazov, the then compact acting ensemble performed in full force on stage. Schorm created from ban to ban (Hamlet, Macbeth, The Brothers Karamazov, Marathon) and in front of Zábradlí, there were queues for tickets in double rows all the way to the Vltava embankment: when the subscription began, people slept outside from midnight until ten in the morning, when the box office opened, in sleeping bags, they brought fishing chairs to the theater. A ticket to Zábradlí was more valuable than Tuzex vouchers...
Jindřich IV.