Marley, a woman in her 40s, discovers she was part of a hospital birth mix-up. The revelation sends her on a journey to redefine family, accompanied by an old high school friend facing his own truths.
Edwin was in a dilemma after his daughter ran away from home because she didn't get his blessing for her love affair. This condition makes him trapped in the collections of bizarre dreams and experiences about his daughter.
All materialistic 16-year-old Nick cares about is opening his Christmas gifts. Tired of Christmas chores and family events, Nick wishes a little too hard and accidentally makes Christmas disappear entirely. As the only one who remembers the existence of Christmas, Nick begins to realize just how the holiday has touched and molded others over the years. Now, not only will Nick need to bring his presents back, but see that his friends and family return to normal by learning the true meaning of Christmas
Two estranged brothers, who could not be more different from one another, choose different paths in life and are eventually reunited by an unexpected twist of fate.
The film starred Rajkumar and Bharathi Vishnuvardhan. It had Balakrishna, K. S. Ashwath and Sampath playing supporting roles. The film, along with Mooruvare Vajragalu (1973), was Rajkumar's last movie in black-and-white. However, this movie had a few sequences shot in colour. This was also the last film where Rajkumar and Bharathi were seen together. This was also Rajkumar's last collaboration with Siddalingaiah. The film is seen as a landmark in the career of Siddalingaiah.The movie saw a theatrical run of 25 weeks.
Vasantha, a feminist, is promised her ancestral inheritance only if she gets married. In order to secure her riches so that she can help women in distress, she hatches a plan.
The story of an extremely generous and righteous man, Ravi Varma, who succumbs to his intention of being generous no matter what happens. The movie is based on a story, Kasturi Nivasam written by G. Balasubramanium. The film stresses the principle that "life is to give—not to take". The role of Ravi Varma, the protagonist played by Rajkumar is a character who upholds the values of life even it means his destruction; a person who is keen on retaining his character's purity and those morals he has cherished. Ravi Varma led a lonely yet righteous life. He did not break his principles even as it lead to his downfall.
A young girl’s world transforms when her mother decides to remarry, setting off a profound journey of self-discovery, sacrifice, and the intricate interplay of love and familial bonds.
From the songs of his mother’s heart to the whispers of a faithful God, David’s story begins in quiet devotion. When the giant Goliath rises to terrorize a nation, a young shepherd armed with only a sling, a few stones, and unshakable faith steps forward. Pursued by power and driven by purpose, his journey tests the limits of loyalty, love, and courage—culminating in a battle not just for a crown, but for the soul of a kingdom.
Ten-year-old Arco lives in a far future. During his first flight in his rainbow suit, he loses control and falls into the past. Iris, a girl his age from 2075, comes to his rescue and tries by any means to help send him back to his own era.
Annie frantically flees Montreal for the US with her young son, Felix and teenage daughter, Sarah, fearing the repercussions after Sarah severely injures her school bully. When their car breaks down just outside a small town in the Adirondacks, the family is stranded. Paul, a single father and the town's lone mechanic, isn't able to fix the car until the following week. Annie's stubborn insistence to leave town at all costs comes head-to-head with Paul's unwillingness to give in. When Sarah realizes that her secret is out in the open, she runs away, forcing Annie and Paul to join forces to find her. When Paul's traumatic past is revealed, Annie realizes that she is not the only one running and comes to terms with facing the music.
Amarnath is a 1978 Indian Kannada film, directed by K. Mani Murugan and produced by N. K. Narayan, V. K. Ramesh and P. B. Walke. The film stars Ambareesh, Sundar Krishna Urs, Dheerendra Gopal and K. S. Ashwath in lead roles. The film had musical score by Vijaya Bhaskar.
Vasantha Lakshmi is a 1978 Indian Kannada-language film, directed by A. V. Seshagiri Rao and produced by K. Vittala Kumar, K. V. Honnappa and K. V. Gurunath. The film stars Srinath, Vishnuvardhan, Aarathi, and Manjula. The film has musical score by Vijaya Bhaskar. The movie is a remake of the 1974 Tamil movie Engamma Sapatham.
Maga Mommaga is a 1974 Indian Kannada-language film, directed by Y. R. Swamy and produced by R. Panduranga Naidu and D. R. Raghavendra Naidu. The film stars Dwarakish, K. S. Ashwath, Vajramuni and Balakrishna in the lead roles. The film has musical score by M. Ranga Rao.
A terminally ill former coal-truck and school-bus driver sets off in her yellow mini-bus through the Appalachian mountains on a final journey to reconcile with her past and her fractured family.
Set in Tokyo in 1940, the peaceful life of the Nogami Family suddenly changes when the father, Shigeru, is arrested and accused of being a Communist. His wife Kayo works frantically from morning to night to maintain the household and bring up her two daughters with the support of Shigeru's sister Hisako and Shigeru's ex-student Yamazaki, but her husband does not return. WWII breaks out and casts dark shadows on the entire country, but Kayo still tries to keep her cheerful determination, and sustain the family with her love. This is an emotional drama of a mother and an eternal message for peace.
A lonely boy wins over his distant father and strict grandmother with help from a brave velveteen rabbit whose one wish is to become a real rabbit someday.
Maya is the perfect mother. Her life revolves around her three children, Aleya, Ankush, and Anjali. Who thinks nothing much then the world of her. Despite being divorced from her husband, Aman. Maya has ensured that everything runs smoothly in her house, under her watch, and that they continue to remain a happy family unit. However, when Aman introduces his girlfriend, Shreya a career oriented woman, who has a lot to learn about children's, to the family, the situation immediately takes an unexpected turn. When an incident changes their lives drastically, bringing the two women under the same roof, they find themselves putting to test an unusual situation; can two mothers make a home?
Set against the turbulent backdrop of 1870s Montana, in the moments before the execution of Isaac Broadway, he gives his estranged son, Henry, an impossible task: murder the man who framed him for a crime he didn’t commit. Intent on fulfilling his promise, Henry travels to the remote town of Trinity, where an unexpected turn of events traps him in town and leaves him caught between Gabriel Dove, the town’s upstanding new sheriff, and a mysterious figure named St. Christopher.
Janaki leaves her son, Beera, with Kenchi and Jungappa. Years later, Janaki returns to take her son along with her, but Kenchi refuses to let Beera go.