Eldorado SP

The short documentary traces the fading light of Belém’s silver screens through the eyes of a young filmmaker and aspiring historian. With camera in hand, he sets out to preserve the stories of the three movie theaters that once defined the city’s cultural pulse

Cata

Como Vivem As Orquídeas

Um Filme de BR

Sem Manual

Silêncio das Asas

Terecô: a força que vem da raiz

Corre dobrado

Um Conto da Videira

Gota D'Água

How Johanna Maria Magdalena Ritschel became Magda Goebbels (1901-1945), wife of the notorious and sinister Propaganda Minister, Joseph Goebbels (1897-1945), and the true First Lady of the Third Reich…

Years spent recording footage of creatures from every corner of the globe is bound to produce a bit of drama. Here's a behind-the-scenes look.

Narrated by Uncle Jack Charles and seen through the eyes of Indigenous prisoners at Victoria’s Fulham Correctional Centre, this documentary explores how art and culture can empower Australia's First Nations people to transcend their unjust cycles of imprisonment.

In a retirement home in a small village in the south of France, residents try to build a community. What ties can they still manage to forge in this anonymous environment often perceived as hostile?

The story of the Los Angeles 'Kiss or Kill' music scene (2002-2007). Fed up with the wretched Sunset Strip pay-for-play policies, 'too cool for school' trendiness of the Silverlake scene and apathetic crowds, the bands that made up Kiss or Kill forged their own scene based on great music, cheap booze, low cover, and a mid-western sense of community and friendship. At it's peak, Kiss or Kill had more than 60 bands in its roster and over 1,000 local L.A. fans. But as Kiss or Kill grew and became more popular, it fell victim to the same 'venue-isms' of other L.A. clubs and eventually became the very thing it was fighting against.

Silvia and Birgit have never met, but they live similar lives: both work over 15 hours a day and give everything to their regular customers. For decades, they have been the proud owners of their own “Trinkhalle” in the deepest Ruhr area.

The Soviet advance met with fierce, idealistic resistance. We join the hundreds of students as they man barricades constructed from overturned lorries to try to halt the advance. Sparsely armed, they fight fiercely, driven by a belief in their new and better socialism. But the deadening, inevitable weight of Soviet might soon stamps its boot across this hopeful Czech vision. Over 100 people died in the reprisals which followed, and tens of thousands fled their homes for the West. This is the definitive story of the heady days before Soviet "normalisation" took hold. The film was assembled using footage smuggled out of Prague. What began as an account of the liberation of a people, became a documentary of oppression; as the tanks moved in, the cameras simply continued rolling.

Documentary that frames gun violence as a Disaster and Public Health issue by taking an in depth look at how one shooting impacts individuals, families and communities, while also giving voice to the questions and insights that arise from these conversations. In the documentary, all those scarred by gun violence eventually arrived at the same question: "Why...Why did this happen to us?" After looking at these in depth experiences of gun violence "Trigger turns its attention to the bigger question: "What can we do to prevent gun violence?"

Documentary about the struggle of the people of Jeju Island, South Korea. Set in the context of the U.S. presence in Korea after World War II, the film reveals horrible atrocities at the hands of the U.S. Military Government of Korea.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.