Where Memories Live

Web Corp. follows the inescapable cycle of a worker fly trapped in a systemic web spun by a boss spider. Crafted through traditional stop-motion, the film clashes the organic, vulnerable texture of papier-mâché against the harsh, cold authority of steel wires, transforming capitalist exploitation into both a thematic and physical allegory.

Pojar’s wickedly humourous satire pokes gentle fun at a speechmaker so enamoured with the sound of his own voice, he is oblivious to the effect he is having on his audience. Pojar details their bafflement, fidgets, whispers and snores with great imagination.

“God is a Pelican” follows two queer middle-school girls, Madi and Josie, who both recognize they are different from other students, and don’t fit into the religious white suburbia around them. They decide to create their own religion, a religion for the weirdos and “others” of the world.

Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.

SPEED is the result of an artificial intelligence transforming bin footage into something beautiful in order to free the planet from pixel pollution. By video recycling trash shots into video art using the latest algorithm technology, visual art may help to understand our limited resources on earth and how to use them in a respectful manner. Every day we produce millions of clips sharing them on social media without even noticing anymore how much pixel garbage we create. At the same time, we produce every day millions of tons of plastic waste, polluting our environment without even noticing it anymore. SPEED wants to be a symbol of change as we are running out of time.

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

A cold dinner is a dish with bad news. Today it will be more disgusting and destructive than yesterday; and tomorrow will not come at all.

A mathematical play on one repeated movement. It imparts a sense of possibilities: that something simple can produce complex and unexpected patterns. As with an atom, the variety of possibilities from a base movement is potentially infinite.

A group of puppets in a handmade world encounter a giant visitor with an unexpected surprise.

A beautifully done video of Burning Man 2001, 2002 & 2003. Lots of people interviews, Center Cafe activity and extensive coverage of artist David Best and the Temple construction and burn. This documentary captures the swirling columns of dust that were created during the intense heat of the 2002 Temple burn.

With a strong emphasis on founder Larry Harvey and temple artist David Best, this video expresses the scale and power of the Burning Man experience. Superb cinematography and editing are combined to make this is one of the most moving Burning Man videos ever produced.

Sir John Lubbock’s true story and his scientific writings on Ants, Bees & Wasps stood out as contemporary for the co-directors, Osbert Parker & Laurue Hill who worked in collaboration. Themes of cultural displacement, civilisations and environmental concerns were found in their interpretation of Lubbock’s story still relevant today. A diverse range of techniques from, stop-motion, 2D cut-out’s and digital animation is combined to tell a bizarre and beautiful love story with a sting in its tale.

THE ARTIST AND THE FORCE OF THOUGHT, reflects the relationship between balance and imbalance within the partiality of movement of the dancer Marcos Abranches. It oscillates the body to wake up from the emptiness and isolation caused by the imbalance. The movement's lack of aesthetics is felt by abandonment and rejection, understanding that relief is in the support of love. Investigating body movement in a world without anguish, without pain, without despair. Search for life. Find in dance the balance of the body and the beauty of the soul.

After she discovers canisters of undeveloped film shot by her late father, Elene sets out on a journey to collaborate with him on a special project. Between the earth and the land of the dead, a darkroom becomes the only dimension where the paths of a father and a daughter can cross.

This special has the band hiring a slick-talking new manager in an attempt to make a comeback. Under his guidance, the Raisins try their hand at various new musical genres, including Disco Polka, Country Rap, and Demolition Rock, to humorous effect. The group's troubles begin to manifest, however, upon the replacement of singer A.C. with their manager's young protégé

He’s full of juicy flavours. You’ll never get enough, if you let him give you... Just. One. Puff. It's a new era and no one is scared of the boogeyman anymore. Unfortunately something much, much worse is hidden under the bed.

Alice gets lost in the woods and has a conversation with the Cheshire Cat.

Tentacles is a 90 second animated short that brings a magic mushroom trip by a staff member at the Scala vividly to life. Inspired by classic Sci-Fi, Horror and B-movies, Tentacles is crafted in-camera using real Octopus tentacles, objects and cut-out photographs in stop-motion. The film is an experimental and playful attempt to explore how animation, particularly mixed media animation can be used to communicate narratives in unexpected and exciting ways that enhance the original story.

SCALA!!! Programmes - is an animated love letter that uses the Scala’s infamous poster-sized programmes to celebrate the feature length documentary, SCALA!!! Directed by Jane Giles & Ali Catterall and the music of by Barry Adamson (It’s Business as Usual).

An outrageous road movie about The Old Man and his grandkids in a 24 hour race against time to stop a milky madman hell bent on killing his prized cow to save the world.