Hitozuma taxi: Kyonyû ni norikomu

Shinohara, a young bodybuilder, joins a para-military sect in northern Japan. His instructor, Takizawa, takes a liking to the new recruit. After an early “special” training session the two develop a lasting and loving relationship.

Aya, an erotic writer, lives with her boyfriend, Hajime, a company employee. Recently, they have been a little bit growing apart, and she feels somewhat unfulfilled. One day, Aya learns that the magazine to which she contributes will suddenly cease publication. That night, she is invited out for a drink by Tanaka, an editor whom she respects, and drinks deeply, losing consciousness. When she wakes up, she finds Tanaka in another room making intense love to a mysterious woman, Maria.

Sumire has been working at “Snack Akemi” for the past three years. After returning home from shopping, the owner, Goro, entrusted her with the preparations for opening the bar, and he lay down on a box seat and puffed on a cigarette. Three years ago, Sumire, who had been selling her body to make ends meet, was found huddled on the street with blood all over her face after she was caught trying to skim off a customer’s money. She was saved by Goro, who was passing by at the time.

OL, Karen who can manipulate the subconscious with supernatural powers. Yuko Suzuka, the female president, uses Kaiko to succeed in instilling a memory of fear in her cheating husband. However, Kakoi who knows the secret will leave the company ... After losing her job, she decided to work at a psychiatric clinic she used to attend. There was also Aya, who had the same power, and was thinking about the director's teacher's office. But that's the same with Kakoi ...

With her wedding just a week away, Kyoko is reminiscing with her father, Soichiro. Suddenly, Kyoko begins to miss her mother, who left home. Then, a thug suddenly appears, knocks Soichiro unconscious, and attacks Kyoko. After the man leaves, the father goes mad from the shock, hallucinating that his daughter is his wife and violates her...

A man becomes obsessed with delusions due to his obsession with a woman he lost, and loses sight of reality. A girl he meets in a rundown entertainment district gently accepts the man's delusions. The only time the two, who seek each other as if to erase the boundary between self and other, feel reality is when they indulge in a dangerous game involving a time bomb... The audiovisual effects, calculated down to the smallest detail, such as the rain and humidity, the deliberate use of red in the color scheme, and the pop song the woman hums, contribute to the continuation of the conceptual story.

Miho, a female teacher, feels bored in her relationship with an ordinary office worker and complains to Ezaki. This leads to Ezaki forcing her into a physical relationship, and from then on he starts forcing her into sadistic sex, but she finds herself getting very excited by it...She continues to indulge in her carnal desires every day, but one day she is finally seen by a student. At first he is shaken by the act of his admired teacher, but Ezaki encourages him...

A man who makes a living writing illustrations for erotic magazines but he also enjoyed groping women on the train. Lately, both his job and "hobby" have been going poorly. Until he meets a fellow groper...

A former Self-Defense Force officer who returns to his hometown with his comrades to fight for his life. A woman who comes to trace the trail of her husband, who has been missing for seven years. A woman who wants something stimulating in her boring village. A man and his daughter who left his wife without giving a reason and drifted to a fishing village in the north to live in seclusion. The lives of these five people intersect for a moment and are eventually dismantled again.

A neighbor enlists the help of a young perverted couple - an assistant professor and his wife. Can he fix his sexual complex? Part 20 in the "Molester Train" series.

Chikan densha: Gaman dekinaiwa

When a young business man tried to open up his relationship to his girlfriend, the other man told him they had broken up and said they were 2 people. Shocked, one day at his workplace he ran into a young man who had been shown a picture of his ex-girlfriend as a new man, and his frustration grew. The next night he met the young man again at a gay bar and confronted him about the robbery, but he had no idea and realized it was his ex-girlfriend's lie. The distance between the two has narrowed, but there is a certain situation with him...

Kotama's assistant Hanan, who draws erotic manga, is bad at drawing and slow at work. He has a strange habit of becoming lustful when he sees a woman in a uniform. He admires Yoko, a female police officer. Yoko's younger sister Rumi is a nurse. One day, Kotama witnesses Rumi and her patient having sex on the roof of the hospital, and Noran sees Yoko and Rumi having lesbian play... A comedy that depicts the distorted form of love set in the world of gekiga.

Three bad high school students who are preparing for the graduation ceremony are caught up in a battle with Yakuza after encountering a Korean in Japan and Yuki Yappa who has been married to him. A youth adventure drama with a powerful depiction of "Japan" and "Asia" that emerges from various nationalities.

A lesbian teacher (Kanako Kishi) comes to Tokyo in search of her student (Ichiko Kamata), who has dropped out of high school and started living with a bomb-making terrorist (Takeshi Ito).

Two wives who leave their husbands behind and go on a hot spring trip, and two husbands who play homosexual games because it's not fair for them to be the only ones enjoying it. In contrast to the wives, who warm each other's bodies with hot water and lesbian play, the husbands cool each other's bodies by facing each other naked on a dark table with a bottle of sugar. There is another couple in danger of getting married because their parents disapprove of their relationship, but these two also change their mind, saying that marriage is between them. The story focuses on the liberation and change of consciousness of these three couples, who audaciously kiss on the street to get warm, and rethink their love and freedom.

Pinku directed by Mototsugu Watanabe.

Pinku directed by Mototsugu Watanabe.

1990 Pinku directed by Nitta Sakae.

Pinku directed by Koutarou Hanabishi