Destroy me, please

It all starts with a premonitory dream. A national paper reporter for a southern region of Azerbaijan, Karim lives his boring daily life. But something, a memory, is deeply bothering him. The arrival of a new editor-in-chief increases Karim’s worries, he has to go to Baku to meet him.

After being jailed by the Macoutes for complaining about worker exploitation at the baseball factory where he worked, a Haitian man and his family attempts to escape to the United States. On the boat, they are forced into the ocean at gunpoint far from the Florida coast, causing the man’s wife and his infant son to drown. The man is saved by an elderly couple, once illegal immigrants themselves. The couple helps the man to bury his son at sea and to gain entry to the United States.

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Even though Sami is safe in the United States with his 9-year-old daughter, Aya, the injures sustained during the war in Syria are making his life difficult. When news breaks that the rest of his family will arrive from a refugee camp, he should be as elated as Aya. But as Aya grows more eager to see her brother Saeed, Sami grows more anxious.

Revolves around Castro, who was once a very famous TV host, but as he grows old, his popularity is dwindling.

An Italian immigrant tries to make a new life in Switzerland, taking on a series of increasingly menial jobs in order to do it. He attempts to fit into his new home and society but fails at every turn. Unable to go home again, will his tenacity and optimism be enough to live on?

The protagonists of this docudrama are old farmers who migrated to Banat after the First World War, in 1922. The film is focused on a couple of important events in their impressive lives, which are woven into lively scenes and stories full of wise instances. Their statements become spontaneous recounts of the lives of people in this region.

Fugacidad

An immigrant worker from Bosnia falls in love with the actress Nastassia Kinski. To be able to approach her, he has to become famous himself. That's why he sets off on a journey to fame in a black comedy with a twist in its tale.

Peter, whose father was a member of the Home Guard collaboration forces and a political emigrant, returns from Argentina to Slovenia, his father’s homeland. In Slovenia, Peter makes the acquaintance of an architect, but their friendship is fraught with ideological conflicts.

A little boy walks alone through a toy store, past people who speak a strange and, for him, incomprehensible language. A young mother finds a way to communicate with him without language. But she is not prepared for what he then tells her.

In a field surrounded and squeezed by increasing industrialization, an immigrant family, deep in financial debt, struggles to survive through traditional farming. Their son, Ibrahim, dreams of a different future for himself.

Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930s. They establish their family in East L.A., and their children Chucho, Paco, Memo, Irene, Toni, and Jimmy deal with youth culture and the L.A. police in the '50s. As the second generation become adults in the '60s, the focus shifts to Jimmy, his marriage to Isabel (a Salvadorian refugee), their son, and Jimmy's journey to becoming a responsible parent.

The suitcase is packed and placed in the middle of the room, the door to the apartment is open, but something is preventing him from leaving. KROONG ( Կռունկ ) - Crane. In Armenian culture,Crane is a symbol of migration and the melancholy associated with departure, which resonates with the broader themes of Armenian history and culture.That's why movie called KROONG

Based on true accounts, the superficial lines between subject and bystander are blurred and bound together, allowing individuals to walk in a vast space and thoroughly live a fragment of the refugees' personal journeys.

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

Tanya leaves Moscow with her street-wise 10-year-old son Artiom to meet her English fiancée in London. But after he fails to turn up at the airport, Tanya, intent on staying in England, is forced to apply for political asylum and transferred to Stonehaven, a grimy former seaside resort where refugees are housed. Tanya gradually develops a relationship with an amusement arcade manager, who helps them escape. She must then decide whether to stay with him or return to Russia.

Sister Tse is brought to New York by a Snakehead, a human smuggler. Although she is indebted to the crime family responsible for her transport, her survival instincts help her gain favor with the matriarch, and she rises quickly in the ranks. Soon Tse must reconcile her success with her real reason for coming to America—to find the child that was taken from her. In the end, Sister Tse must draw on the strength she found in transforming her victimhood into power.

Having moved to Paris for university, Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house so it can be sold. Tareq, a recent asylum seeker from Syria, has been hired to help with the work, and when Leevi's father has to return to town on business, the two young men establish a connection and embark on a romance set against the idyllic Finnish summer. However, looming over this chance encounter, is the father's imminent return to the lake house, the continuation of Leevi's studies abroad as well as Tareq's complex relationship with his family in Syria.

A crime occurs in the construction area but revenge is inevitable.