Conexões da Noite: Moda e Subcultura Paulistana

This investigative documentary follows a team of archaeologists searching for the hard evidence behind chilling vampire myths, from the discovery of bodies staked into their coffins on the island of Lesbos to the New England vampires who died from tuberculosis.

The history of American popular music runs parallel with the history of a Russian Jewish immigrant family, with each male descendant possessing different musical abilities.

Twiggy takes a comprehensive look at the life story of UK model and cultural icon Twiggy, real name Lesley Lawson, whose career kickstarted in the 1960s. It features interviews with Twiggy and her husband Leigh Lawson, as well as commentary from Erin O’Connor, Paul McCartney, Lulu, Poppy Delavigne, Brooke Shields, Pattie Boyd and Zandra Rhodes.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

Documentary by Celine Danhier shows the creation of the '25 pre-fall Oscar de la Rente collection. We take a look backstage to dive deep into all the tasks that make up a collection. We see the creative process of designers Laura Kim and Fernando Garcia, as well as in-house and external employees. It gives a special look at the, otherwise invisible, hands that ensure the collection is complete and presented.

From humble beginnings, complex family dynamics and tragic, life-changing events, to her unlikely rise to success in two very different worlds: fashion modeling and professional skiing. “How Did I Get Here” is a coming-of-age story, full of adventure, exploration, heartbreak, growth and inspiration.

Una festa per la città - Venezia 1973

On June 11th, 1997, Philippe Kahn created the first camera phone solution to share pictures instantly on public networks. The impetus for this invention was the birth of Kahn's daughter, when he jerry-rigged a mobile phone with a digital camera and sent photos in real time. In 2016 Time Magazine included Kahn's first camera phone photo in their list of the 100 most influential photos of all time.

A tribute to drag superstar, The Vivienne. Friends and family share touching stories of the RuPaul's Drag Race UK winner and her legacy. Her spirit lives on through unreleased footage, showcasing her unique personality and how her passion for entertaining left a mark in the world. Interviews with her dearest drag sisters Baga Chipz, Michael Marouli, Danny Beard, Tia Kofi, Cheryl Hole and more.

Educational film about Cyprus - landscape, people, work, traditions etc.

Hip-Hop Culture and Graffiti Video Magazine

An on-the-scene documentary following the events of September 11, 2001 from an insider's view, through the lens of two French filmmakers who simply set out to make a movie about a rookie NYC fireman and ended up filming the tragic event that changed our lives forever.

Mariam, Asiya, and Anissa were 11, 7, and 5 years old when they were raped. The attackers were their paternal uncle, a neighborhood youth, and the nanny's son. They have no memory of the event. To protect them, their bodies developed traumatic amnesia. Years later, the memories returned, and they decided to file a complaint.

This film is a documentary on the archaeological excavation of the Snaketown Dig just out of Phoenix Arizona. Snaketown in Arizona is dated by some scholars to around 300 BCE., The site of Snaketown is positioned on the Gila River Basin near Phoenix AZ at the Gila River Indian Community. Both the Hohokam and the Ootam peoples have occupied the land and from what I gather there is some contention on who did what when. Isn't their always. This is a really great film on the excavation of Snaketown and is a valuable educational resource I am fortunate to have. The Pima Indian father of Ira Hayes makes an appearance.

An incredible historic document showcasing the roots of Old School Hip Hop movement with all its disciplines involved: Djing, Mcing, Breakdancing, and Graffiti. Featured in the "NYC: Urban Image" show at MoMA PS1 1983.

After a five-year hiatus, the "Capelinha" quadrilha returns to the competitions. Intense rehearsals, pulsating rhythms, and elaborate costumes mark the preparation to reclaim their place in the arenas.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Offers audiences a unique window into a bygone era when a thrilling new invention, the motion picture camera, first captures a nation on film.

Outlines the history of 40 years of the skinhead subculture, beginning with the most recent versions of the culture.

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?