Il n'y aura jamais assez d'images

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

The world’s museums are closed. What are you missing?  Take a real-time walk through the Louvre towards the “greatest painting ever” and contemplate what it would be like to be there yourself.

A short documentary exploring the reason behind the return of analog media, specifically vinyl. The documentary focuses on Gabriella, the main participant, and her experiences and personal viewpoints.

Four friends with with little to no musical talent set out to make a christmas album.

A lonely man falls in love with his ChatGPT companion, challenging the boundaries of love and what it means to be human.

Rare documents and details of the film's story. From its initial option to its critical reception and legacy. Director David Weisman, who also produced "Kiss of the Spider Woman", comes off as rightful creative force behind the production, as it was his true passion. Very detailed comments from all the participants, from the author of the book to the lawyer for the production company, the actors, director, writers, producer, and crew members.

Les voyages de L'Atalante

Filmmaker Krishita Desai explores AI grief technology that lets people interact with digital versions of their deceased loved ones. Through families and experts, the film asks whether it brings comfort or complicates grief and healing.

Ojo de Mujer is a documentary that features four Nicaraguan women filmmakers, whose testimonies allows us to learn about their begginings and how they have contributed to building a collective memory within their communities, leaving lasting roots for future generations of filmmakers in the country.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Necromaquiagem

Ten years after winning a world title in bodybuilding in Russia and becoming a star of said discipline in Mexico, Antonio Osta (43) leads a life of austerity in the Uruguayan rural town where he grew up. He resides there with his son Juanjo (17), a sensitive teenager who keeps him company and confronts him openly. Suffering from acute kidney disease which keeps him from competing professionally, Antonio is stuck in limbo, halfway between his glorious past and the impossibility of being who he once was. However, he is unwilling to give up his lifestyle, even if it kills him. In an attempt to reinvent himself, and seeking a better future for his son, Antonio plans a comeback to the Mexico bodybuilding scene, where he may relive his glory days.

A cheerful road movie all about Belgian films at Cannes over the past 70 years. Filmmakers from the past converse with those from the present to paint the portrait of a cinema that is both diverse and free. An account of Belgium’s participation in the greatest film festival in the world.

Monte Hellman was born in 1932. By 1986 he made eight features, but had not directed for six years. I had made as many documentaries, but had not turned a foot of film through a camera for two years. I decided to break the silence by spending a day with him. Nine rolls were loaded into the camera. We talked until either we or the camera ran out.

In addition to being a popular excursion destination, Äskhult's village outside Kungsbacka on the west coast of Sweden is a place where our past is kept alive while creating opportunities for a more sustainable future.

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.

Archives from Swarm's Involving Heritage 2024 tour with Piri Reis in five cities on the island of Java.

An upcoming documentary on the Arizona screamo band Journal.

When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.

As part of the 2017 UK-India Year of Culture, the British Council and British Film Institute share a unique collection of films documenting the sights and culture of a bygone India. Filmed between 1899-1947, and preserved in the BFI National Archive since then, these rare films capture many glimpses of life in India, from dances and markets, to hunts and pageantry.