Il n'y aura jamais assez d'images

Um Documentário Brasileiro

Documentary about Japanese film director Shohei Imamura.

A behind-the-scenes look at "Viagens", one of the greatest portuguese records of the 1990s, in the year of its 20th anniversary.

A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive images and stories from the past, some lived and others heard.

Why is it prohibited to sit in food courts if you will not order foods? Why did Isko Moreno, newly elected Mayor of Manila, suddenly withdrew the licenses of bars near university establishments? What is life at night in Poblacion, Makati for Prostitutes? These are the questions that intrigued the group of students from Adamson University from tapping the nameless dilemma of the business industry and figuring in the end if they are ethical or not.

Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

Filmmakers revisit Inukjuak, the Inuit village where Robert J. Flaherty filmed Nanook of the North in the early twentieth century, and examine the realities behind the ground-breaking documentary.

With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.

Documentary about 4 large architectural landmarks that projected Portugal abroad.

Every year, thousands of German citizens travel to India, hoping to have a spiritual awakening of their own. In turn, they end up taking bits and pieces of Indian culture back home with them, creating a distorted version of Indian religion that’s practiced widely across Europe. The number of yoga institutes, ashrams, and Sanskrit institutes in Germany indicates that younger generations are far from giving up on this trend. Some are so enamored by this version of Indian culture that they travel thousands of kilometres to meet their spiritual advisors in tents, attend yoga sessions at 5 in the morning, and, in some cases, even adopt Indian names and clothes to try and connect more with this Eastern way of living. But exactly how prevalent is this trend?

The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.

The six-hour essay in four parts examines the history of regimes and revolutions, leaders and martyrs, from a philosophical perspective. The collage of personal memories, staged scenes and archives of collective memory compares the Prague Spring to the Velvet Revolution and shows the exposure, conflict, crisis, and catharsis of the post-communist society. Democracy can be saved through creative laughter, dissolving the untouchability and hypertrophic egos of the representatives of state institutions. The Internet frees the society from representatives of the non-functional connecting link that prevents direct communication between citizens and institutions of power. “I can see you until I spot you. Once I spot you, I cannot see you anymore.” K. Vachek

I followed the everyday lives of Ali, Kais, Ertan and Alban with my camera for over two years. The time was characterized by disappointments, conflicts and also great successes. It all began with a visit to the "Klingelpütz" youth center in the middle of Cologne. Young migrants have been meeting here for many years.

Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.

In addition to being a popular excursion destination, Äskhult's village outside Kungsbacka on the west coast of Sweden is a place where our past is kept alive while creating opportunities for a more sustainable future.

A thrilling comedic documentary attempting to uncover the mystery of who is responsible for one of the most infamous bloopers in cinematic history.

Forty years after the release of Claude Lanzmann’s monumental film Shoah, Guillaume Ribot reveals the director’s relentless pursuit to tell the untold, using only Lanzmann’s words and unseen footage from the masterpiece.

A street in downtown Warsaw transforms into a kaleidoscopic portrait of Polish society. Behind the viewfinder is an Indian immigrant, who seeks to overcome the boundaries between himself and an anxiety-ridden country.