Back to Timor

As his son is drafted into the army, a father volunteers months later to serve in the same regiment, determined to protect him from the horrors of war — even if it means never coming home again ...

A short 1994 documentary that highlights the lives and experiences of a few LGBTQ+ residents of the Palouse. Filmed and narrated by Jeff Olson. Produced by the Latah/Nez Perce Voices for Human Rights. The film was digitized and provided by the Boise State University Special Collections and Archives.

Sous nos yeux

Bettina Rheims

In the relentless world of professional cycling, every race is a battle-but for the young Breton team known as the "Men in Glaz," the fight is bigger than a finish line. After earning a coveted spot in the 2020 Tour de France, the riders set their sights on an even greater challenge: securing their place in the 2021 edition of the world's most prestigious race. As the team navigates financial uncertainty, fierce competition, and the unforgiving demands of the sport, One Day We'll Win the Tour offers an intimate, behind-the-scenes look at their journey. Filmmaker Laurent Cadoret captures their grit, sacrifice, and unwavering belief in a shared dream: to stand among cycling's elite and, one day, claim victory on the grandest stage of all.

Professional Kids

To help prevent the unthinkable from ever coming true, it is important to know what could really happen....the most awesome and deadly display of warfare that the world has ever seen.

Follows veterans and active-duty service members from varied backgrounds who come together to combat their traumas through the written word in a USO-sponsored arts workshop at Walter Reed National Military Hospital.

After 40 years of living in group homes, Jill Kohfield, an intellectually disabled woman, moves back in with her twin sister and mother.

A two-part television film based on the novel of the same name by Rudolf Jašík, depicting a realistic picture of life and interpersonal relationships during World War II in the mixed Slovak-German environment of the town of Pravna and the nearby village of Planice, as well as life and relationships between soldiers on the Eastern Front. From this perspective, the plot follows a unit of Slovak soldiers, their realisation that they are fighting for foreign interests, their dissatisfaction and distrust of everything, especially their officers.

The film’s events take place on a single day: August 24, 2022, the day Ukraine celebrates the 31st anniversary of the renewal of independent statehood. The film combines places and people that best capture the country’s wartime spirit. The locations are: the relatively safe cities of Kyiv and Lviv; the cities under daily missile fire of Kharkiv and Mykolaiv; a trench at the frontlines near Donetsk; and the beaches of Odesa. The film presents a day in the life of a beach police patrol, a woman anti-tank missile operator, a water delivery driver, a mortar unit soldier, a rapid assault unit soldier, a 14-year-old pub janitor, an artist and a former member of parliament. Together, these people and places create an engaging mosaic of a day in the life of Ukraine.

Entre Muros

Arrebato (1980) is the great cult movie of today's Spanish cinema and Iván Zulueta, its director, an accursed filmmaker. Arrebato was the film that forecast the end of the movida, a dark and harrowing reel whose history and intra-history are intimately linked. Arrebato acts as a premonition of the director’s own life. Just like his actors, Zulueta will end up being brought down by drugs and the cinema and, like them, will also disappear.

The sacred and the profane are explored through the dialectic between sacred images and the world of BDSM when we meet Guilherme and his fetishist persona Luke.

Filmed immediately after the end of the civil war in Angola, Há Sempre Alguém Que Te Ama records the return of Pocas Pascoal to the country where she was born, in an attempt to reconstruct the episode that, in 1975, led to the capture of the director along with her mother and sisters. An intimate documentary about memory and self-(re)construction.

The Text Allows No Interpretation is a personal essay documentary displaying the director’s conversation with his trauma in a stream of consciousness. The moments in photographs and videos are set in temporal disarray, meeting the superimposed phone calls speaking to and around the trauma from the past. The ever-present noise of repetition is created through jumps between memories of fear and death during the decade-old Arab Spring to insomnia and anxiety emerging through the footage of NATO military exercises on the borders of Russia.

In 2010, Mega64 was invited to do a panel at a first time convention, in the middle of the afternoon, on a weekday, with no advance warning or promotion. What happened was an impromptu, unplanned act of art and beauty that not only captivated- it got them banned from the convention for good (likely because it could not be topped).

In her own words, Liv Morgan navigates her emotional journey from struggling high school student to riotous WWE Superstar.

Lazarim’s shrovetide is one of the most genuine and ancient carnival celebrations in Portugal. O Diabo do Entrudo explores the fascinating caretos and their elaborate costumes, enabling not only an overview of the carnival celebrations, but also a reflexion on gender dynamics and on the continuation of ancient customs handed down between generations in an ancient Portuguese village. One highlights the way in which rituals and traditions remain alive and are passed on from generation to generation, providing an intimate and rich perspective on the social and cultural changes over time.

In the year 1999, a team of UN scientists in an attempt to tap into a new energy resource on a deserted island called Samsara, unknownigly open a portal to another universe, unleashing dormant biomechanical entities. Three years later, Takuya Goroza returns to the island of Sansara urged by a mysterious request by college chum Haruka Alford. Little does he know, his old friend isn't what he appears to be...