Adieu l’opéra

Movie and stage icon Debbie Reynolds hosts the making of "Singin' in the Rain". The short documentary includes Donald O'Connor, who played the comical "Cosmo Brown", Stanley Donen, one half of the directors next to Gene Kelly, and Kathleen Freeman, who played Phoebe Dinsmore, Lina Lamont's (Jean Hagen) voice coach.

The remarkable spirit of tap dancers and their history provides a joyous backdrop for intimate portraits of hoofers Sandman Sims, Chuck Green, and Bunny Briggs.

Facing financial challenges and constant risks of injury, an innovative ballet company strives to bring the iconic Canadian story of Anne of Green Gables to new diverse audiences.

A 2002 live performance of Mikel Rouse's Dennis Cleveland, a multimedia opera set entirely on a television talk show in the late 20th century.

A Tamil from Réunion invites us to a celebration in which the men of the community walk on fire.

A documentary following the conscious evolution of electronic music culture and the spiritual movement that has awakened within.

Experience the joy of flight with Alice Sheppard and Laurel Lawson

Merlin nightclub opened in 1992 in Barcelona and its medieval appearance did not leave anyone indifferent from the first day. After more than 30 years of enjoying the night with its characteristic atmosphere and varied musical selection, the castle was forced to close its doors in January 2023 despite filling the room every weekend. This video immortalizes the place through its regular customers and staff.

Peter Blackman, founder of Steel 'n' Skin, talks about this pan-African group, which takes African culture to British schools. The film follows the group during a ten day workshop in Liverpool.

Olivier Assayas’ Eldorado is a riveting documentary chronicling the efforts of Ballet Preljocaj to choreograph an otherworldly icon of 21st century music: Karlheinz Stockhausen’s ethereal Sonntags-Abschied.

A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today.

Lychgate reimagines the selection of The Chosen One in the iconic ballet The Rite of Spring, depicting a community of women performing a ritual, not to sacrifice, but to honor the unknown and empower one member to envision it. This 360º dance film blurs the boundaries between terrestrial and ethereal planes, sweeping the viewer up in the fervor of bodies moving in ceremony and synchronicity.

A documentary about the Staatsoper Stuttgart (Stuttgart State Opera) in Germany.

BBC television program exploring Visconti’s mastery of cinema, theater, and opera direction.

After Awesome Tapes From Africa's Brian Shimkovitz found the energetic, ecstatic music of Ghanaian musician Ata Kak, the tunes became beloved around the world. It was all unbeknownst to the artist himself -- his music was even unknown to those living in his hometown in Ghana. Years of tireless searching ensued, and eventually the Los Angeles-based label owner found a lead. Ata Kak - Time Bomb follows the search that Shimkovitz undertook as well as the visit to Ghana that took place once he found him. It is a celebration of great tunes and how, when it hits the right audience at the right time, music can touch people in a way that you never imagined.

A quickfire portrait of the New York City ballroom scene in the ‘80s.

A dance group rehearses for their latest performance Inabitáveis about black homosexuality. While the choreographer conducts research and gives guided tours, he meets Pedro, a young trans girl looking for her own means of expression. She desperately wants to be taught by him.

A whistle blower counts the steps. The steppers share glances. The whistle blower stops blowing the whistle and attempts to steal their glances. Steps are broken and transform. A new glance replaces the old.

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.