The Films of Kurt Kren 1957-1995

Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.

High school hotshot Zach Siler is the envy of his peers. But his popularity declines sharply when his cheerleader girlfriend, Taylor, leaves him for sleazy reality-television star Brock Hudson. Desperate to revive his fading reputation, Siler agrees to a seemingly impossible challenge. He has six weeks to gain the trust of nerdy outcast Laney Boggs -- and help her to become the school's next prom queen.

A static close-up of a clock. Preserved by the Academy Film Archive in 2007.

Visual haiku dealing with still and living life, ghosts and revealing light.

An assortment of obscure private obsessions, conspiracies and perversions flicker on the verge of incoherence against the context of vast cosmic disaster in Rouzbeh Rashidi’s boldest film to date. This sensory onslaught combines a homage to the subversive humour of Luis Buñuel and Joao Cesar Monteiro with the visionary scope of a demented science fiction epic.

Actors/singers Billkin & PP Krit, who have been gaining momentum, not only in Thailand but all over the world, present their first worldwide digital performance designed for Moment House Japan.

Preserved by the Academy Film Archive.

Documentary that profiles Mark Pauline, the machine performance artist of Survival Research Laboratories. As the Title suggests, Pauline lost most of one hand during experimentation. 'Maimed Artist' explores the often destructive world of such performance art, where there is a fine line between entertainment and insanity.

Documentation of three Survival Research Laboratories events, 1983-1984. Meet Stu, the SRL guinea pig, and see him training to operate the 4-legged Walking Machine, see 10-barrel shotguns, hear the "Stairway to Hell".

Five mechanized performances of Survival Research Laboratories, 1985-1986. 70 min. of endless pursuits, unavoidable captures, and merciless punishments.

The 1988 European tour of Survival Research Laboratories, with shows in Amsterdam and Copenhagen. SRL ferrets out and gleefully satirizes assorted icons of cultural pride in two of Europes more allegedly libertarian democracies.

A fast-moving and comprehensive documentation of three Survival Research Laboratories performances 1989-1990. Includes "Illusions of Shameless Abundance ...", ArtSpace Computer-Controlled Installation, "A Carnival of Misplaced Devotion ...", plus details of the 1989 bomb hoax incident.

Living in a fictional world all their own, the machines of Survival Research Laboratories act out scenarios of perpetual torment, exasperating consumption, and tragic recognition

A selection of Survival Research Laboratories early performances, a must for those interested in how such an enterprise ever got started in the first place.

A fever dream of the faces of love. Six circles of love. A kind of death and rebirth experienced within each circle. Each song in the short film evokes a realm of what love can feel like to a human being, the metamorphosis through the experience of Love. Faced with the person that was at every metamorphosis, there is a certain death, and certain transformation. We watch her move without words towards salvation.

A small Youtuber occasionally makes half ironic videos for few to see. A half narrative, half experimental view of the numb feeling of consuming endless amounts of content online instead of doing anything else, forever.

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

A Romany woman travels from Praha to her home in Transylvania

O Mel é Mais Doce Que o Sangue

Corpus Peccati is an unconventional and experimental film with a 1 hour and 14 minutes duration, created by filmmaker, photographer and artist Aaron Klusmann. This avant-garde film is a controversial view of sex and liberty, in a deeper understanding of the viewer, the film explores different exposures, between black and white and a red color with vertical rotations during the entire film.