A content man's life turns chaotic when money fever strikes. His newfound greed leads to a series of amusing situations that unfold in this humorous tale.
Bhale Jodi is a 1970 Indian Kannada language drama film written and directed by Y. R. Swamy. It stars Rajkumar in dual roles with Bharathi and Dinesh in other lead roles. The film was based on the story written by Jawar Seetharaman and was produced under Rajkamal Arts banner. The movie was remade in Telugu in 1972 as Bullema Bullodu starring Chalam and in Hindi in 1973 as Jaise Ko Taisa. Rajkumar appeared as Echchamanayaka in a small drama sequence in the movie.
Baalu Belagithu is a 1970 Indian Kannada language drama film written and directed by Siddalingaiah. It stars Rajkumar, Jayanthi and Bharathi.[1] The film was released under Chitrashree International banner and produced by K S Prasad, B V Srinivas and A S Bhakthavathsalam. It was remade in Telugu as Manchivadu, in Hindi as Humshakal and in Tamil as Oorukku Uzhaippavan.
Paropakari is a 1970 Indian Kannada language romantic drama film written and directed by Y. R. Swamy. It stars Rajkumar and Jayanthi. It revolves around the story of a self respecting young man who wins a wager with his wealthy father. The film was produced under Bhagavathi Productions. It had a very successful soundtrack composed by Upendra Kumar.
C.I.D. Rajanna is a 1970 Indian Kannada-language film produced and directed by R. Ramamurthy, starring Rajkumar. The supporting cast includes Rajasree, Premalatha, Dinesh, Ranga, Dwarakish and K.S. Ashwath.
The principal of a high profile school comes across the bright Raghu, son of a dhobi, and gives him an opportunity to learn in his school along with the kids coming from rich families. Being a dhobi's son, Raghu experiences fear and inferiority complex in the beginning, but as time passes, he makes six best friends who hail from rich families and a beautiful bond of friendship begins.
Maya is the perfect mother. Her life revolves around her three children, Aleya, Ankush, and Anjali. Who thinks nothing much then the world of her. Despite being divorced from her husband, Aman. Maya has ensured that everything runs smoothly in her house, under her watch, and that they continue to remain a happy family unit. However, when Aman introduces his girlfriend, Shreya a career oriented woman, who has a lot to learn about children's, to the family, the situation immediately takes an unexpected turn. When an incident changes their lives drastically, bringing the two women under the same roof, they find themselves putting to test an unusual situation; can two mothers make a home?
Marina, 18, orphaned at a young age, must travel to Spain’s Atlantic coast to obtain a signature for a scholarship application from the paternal grandparents she has never met. She navigates a sea of new aunts, uncles, and cousins, uncertain whether she will be embraced or met with resistance. Stirring long-buried emotions, reviving tenderness, and uncovering unspoken wounds tied to the past, Marina pieces together the fragmented and often contradictory memories of the parents she barely remembers.
The gloomy, hate-filled lives of a group of teenage guys in the south of Sweden suddenly turn around when one of the guys' hippie-like cousin shows up.
Robert Sternvall, a German journalist, returns to Artsakh in 2016 to cover the war which has been reignited after a 22-year ceasefire. In the result of his journalistic investigation, Robert meets Sophia, a young opera singer, who happens to be the daughter of missing photojournalist Edgar Martirosyan, whom Robert abandoned in captivity during the fall of the village of Talish in 1992. Robert and Sophia’s frequent rendezvouses ignite a passionate romance...
Ramprasad's entire family gathers under one roof for 13 days after his death, to perform and observe the Hindu traditions and rituals called the tehrvi. During the course, the family’s dynamics, politics, and insecurities come out, and then they realise that the importance of people and things are only evident in retrospect.
Hawaii
Based on true events, "Superman Doesn't Steal" is a coming of age story, set during the 1970's Atlanta child murders- as seen through the eyes of 9 year old Harriet and her brother, who are fascinated with superheroes. However, when they experience a troubling series of events- the impact on their family leaves emotional scars and causes them both to grow up fast as they redefine their definitions of heroes, villains and yes- even Superman.
A young co-ed falls in love with her first-degree cousin, who stays with her family while studying in Manila. Their forbidden affair, which they keep secret from their family, is revealed when she becomes pregnant. For the scandalized family, abortion is the only solution left, which the two lovers resist.
Clinging to control after a broken marriage, an overbearing mother begins to lose her grasp on reality.
A family's palatial lifestyle and estate are stolen from them in an attempt to frame them for a crime they did not commit.
Two brothers grow up in the Saxon province (part of Germany) at the turn of the millennium, where the dream of family happiness in a new house quickly turns into a nightmare of decay, violence and xenophobia as they desperately search for stability and belonging.
Edwin was in a dilemma after his daughter ran away from home because she didn't get his blessing for her love affair. This condition makes him trapped in the collections of bizarre dreams and experiences about his daughter.
In a film marked by social clash and family crises, the narrative delves into the emotional intricacies of its central character, Dhruvo. Raised in the countryside by his struggling mother, Dhruvo moves to the city in search of job opportunities, burdened by the loss of his father before birth and a persistent emptiness in his life. Despite his devotion to his mother, he remains unable to alleviate her pain. His life takes a dramatic turn with the arrival of Miss Zara, leading to a turbulent love triangle involving his girlfriend Taniya. Accompanied by his friend Saif, Dhruvo embarks on a journey of self-discovery, only to uncover a hidden past of his mother. Surrounded by societal prejudices and personal doubts, Dhruvo navigates through challenges to ultimately find a path to new possibilities and personal freedom.
Election night. Aimar, leader of the left-wing Basque nationalist movement, returns home more tired than ever. Itziar awaits him, exhausted. At the entrance, the remnants of a protest by the radical youth of their own party. Aimar has to make a decision: Does he want to continue dedicating his life to the nationalist cause, even in the worst of times?