Lapin hyper lent

Ouroboros

Planet Killers : Le cartel du tigre

Elle entend pas la moto

Böhse Onkelz - Böhse für's Leben - Die Dokumentation

MAMAN J'AI RATÉ LA PROMO - James Loup

Les Jours Inespérés

"Maison"

Philippe Soupault et le surréalisme

A documentary about the famous Estonian filmmaker Rein Maran.

Stradivari - Mythos und Markt - Die dunklen Seiten des Klangwunders

İstanbul'da Aşk

Documentary about the 1988 follow-up film Critters 2. Features interviews with director Mick Garris; actors Liane Curtis, Don Opper, Terrence Mann, and Lin Shaye; producer Barry Opper; critters designers; and more.

Documentary about the 1991 follow-up film Critters 3. Features interviews with producer Barry Opper; actors Don Opper and Terrence Mann; writer; cinematographer; and critters designers.

Documentary about the 1992 follow-up film Critters 4. Features interviews with producer Barry Opper; actors Don Opper and Terrence Mann; writer; cinematographer; and critters designers.

Documentary about the Swedish musicians Maritza Horn and Jan Hammarlund including performances.

Julie Andrews Returns to Salzburg 50 Years After 'The Sound of Music touring the memorable locations from the 1965 film.

Haliç

Elizabeth II: Three days in the Czech Republic

Study of the work of the conductor Václav Neumann and his creative process with the orchestra.

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’