They'll Be Calling

A Blue Soldier and a Yellow Soldier play a board game trying to outwit each other, struggling for control over a piece of land. The Farmer who belongs to the land is not allowed to play and must pick a side. As the fighting escalates, what side does she choose?

Glória manages to get a divorce and moves away, taking her daughters and the desire to start over. As she tries to turn the new house into a home and her body into a place of belonging, she faces, on the factory floor, a delicate competition for a supervisor position between colleagues and her best friend. Courage takes shape as anguish seeps into the flesh.

After a disastrous event on his construction site, Armando acts quickly to save his crew, but instead stumbles upon an unspeakable truth.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

During Thanksgiving week, two college friends interview a group of students who have seen the ghost of a deceased father.

La Fin d'un monde

Lou is a young man in trouble who becomes paranoid because of the pressure of two mysterious judges.

In a surreal universe where bananas fire laser beams and soup cans are used as grenades, a wacky cast of gangsters are thrown into a deadly game to battle it out over a mystical longboard in this trippy take on the Tarantino crime genre.

According to an ancient Indian tale a giant monster embryo residing in a crystal vase is predetermined to fertilize a blue-eyed woman. She will give birth to something evil to unleash horror and destruction upon human kind. Ugly septuplet brothers reproduced within the framework of mysterious genetic experiments terrorize a young innocent girl who seems to be chosen for the sinister predestination.

An omnibus film based on Kim Oki's album Hip Hop Retreat. Twenty characters share the same table at different times, in different emotional states, each with their own story. Shot in one day, edited in one day.

A teenager in an English town struggles to come of age, braving sexual awakening and fighting her controlling parents by refusing to eat...until a nightmarish ghost appears that may be real, or may be a deadly creation of her starving body.

An obsessive Vine star goes down a road of surreal imagery, as his obsession with the application develops into murder.

A sequel to the 2011 "Going to the Store" and 2013 "Late for Meeting" animated short films, which feature a silly, disjointed journey in the traditions of dadaism and surreal humor in film.

A jet-propelled white rabbit flies through the vulva of a supine woman into a wonderland where people and objects turn inside out, changing shapes and identities at warp speed. Events roughly follow Lewis Carroll's "Alice in Wonderland." The caterpillar and the queen make appearances, as does Alice. Images and symbols are often sexual. At the end, Alice asks, "Who has had such a curious dream?"

Heckel and Jeckle decide it is too much trouble and time-consuming, not to mention wear-and-tear on their wings, to fly south for the winter, so they will pose as orphans and find some kindly old grandmother to take care of them when the snow flies. They do. But the kindly old grandmother turns out to be a disguised-wolf who has an appetite for magpie soup. This is not at all what they had in mind.

Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?

He's hungry, and chances are you're also hungry, so tag along. Who knows, you might learn a thing or two.

A dreamlike portrait of Akhira unraveling beneath the weight of her own reflection. A meditation on loneliness, transformation, and the haunting spaces between memory and identity. As she descends into the depths of her solitude, Akhira is forced to confront the ghost within herself—a reflection of forgotten memories, buried desires, and the eternal struggle to find meaning in one’s own existence

『飛画』Flying images 1989/11min

Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.