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On learning that her infant niece, Maya, is dying of a rare disease, newly pregnant Sharon decides she must return home to Buffalo, N.Y., to help out -- but instead, she steps into a hornet's nest of family turmoil. While Maya deteriorates, another crisis erupts when Karen -- Maya's mother -- becomes pregnant with the child of a former gang member in this cinema verité-style portrait of a family on the brink.

Spike and his sister Anjela live in the Terrordome, a huge ghetto that all the blacks have been forced to live in. Jodie, Spike's pregnant white girlfriend, ran away from an abusive white boyfriend who, after seeing her with Spike, sets up a trap for her. Spike's 11-year old nephew Hector dies as a result of this trap, and Anjela, finding the body of her son, goes on a police-killing rampage. Her apprehension sets off tension between Spike and his brother-in-law, as a race war broods inside the Terrordome.

A pioneer in the world of rock-'n'-roll guitar, Chuck Berry has created a legacy that spans decades. Berry performs some of his greatest hits and all-time favorites in this concert video that was filmed on September 13, 1969 at 'Toronto Rock'n'Roll Revival.' The Concert includes the songs "Rock and Roll Music," "Long Live Rock and Roll," "Johnny B. Goode," "Promised Land," "Carol," "Hoochie Koochie Man," "Maybellene," "Too Much Monkey Business," "Reelin' and Rockin'," "Sweet Little Sixteen" and "In the Wee, Wee Hours."

To secure custody of her son from her gaslighting trash-bag ex, Mallory's only hope is to find Santa Claus and convince him to testify in her divorce hearing.

Talented 20-year-old Lolita dreams of a singing career. But her self-esteem is low due to her weight problem and her narcissistic father, Étienne, a literary star with scant interest in his daughter's life. Lolita finds little comfort in the attentions of her vocal coach, suspecting the woman is using her to meet her influential father. Étienne's second wife proves to be Lolita's only trustworthy ally in her private battle to find a sense of worth.

The Griswolds win a vacation to Europe on a game show, and so pack their bags for the continent. They do their best to catch the flavor of Europe, but they just don't know how to be be good tourists. Besides, they have trouble taking holidays in countries where they CAN speak the language.

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary world of poverty and riches where the prospect of easy wealth tempts even good boys like Pic into bad ways. But if everyone believes the lie, what’s the problem?

As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.

In this animated short, Mrs. Popcorn is shocked to discover a worm in her canned drink. When the beverage company refuses to accept the blame, she's outraged! An intrepid consumer, Mrs. Popcorn takes the company to court for negligence. Understanding the Law: The Worm is episode two in a series of short films designed to demystify everyday aspects of Canadian civil law. Wry humour and a whimsical style make this informative series lively and memorable.

A dissatisfied marriage, a secret crush, and workplace fantasies come to a head in a diner run by a mole with a hot ass.

A woman is delighted to have given birth to a baby girl but her life is turned into a nightmare when she goes missing. The police mount a frantic search but to the woman's horror she finds out that it's herself who is the main suspect.

After a night out of partying and left behind by her friends, Ava wakes up and sneaks back home only to find that she's already safe in bed. But that's not Ava - it's someone who looks just like her. A time-traveling fugitive has stolen Ava's body, her identity, and her life. What's more -- she's not alone. There are others, hiding in the past, secretly living among us, plotting to alter the future. Without her body, Ava is a virtual ghost, silent and invisible to the world. And, so far as she knows, she's the only one who can stop them and put the timeline back on course.

A woman mysteriously wakes up in a hotel handcuffed to a firefighter to find messages they left themselves the night before revealing that their lives are in danger.

Set in South Carolina in 1964, this is the tale of Lily Owens a 14 year-old girl who is haunted by the memory of her late mother. To escape her lonely life and troubled relationship with her father, Lily flees with Rosaleen, her caregiver and only friend, to a South Carolina town that holds the secret to her mother's past.

A man vacationing in the country with his wife and children finds ideas he has of himself unexpectedly challenged.

While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.

Jean-Pierre, a wealthy businessman, is lonely. He still desires his wife but she only seems interested in shopping and the beauty salon. Tired of lunching alone every day, one day he decides to invite his chauffeur to join him, and a relationship quickly develops as the two find they have much in common. Are they just cash machines for their wives? Don't they deserve some love in return? Jean-Pierre confiscates his wife's credit card, but things don't turn out exactly the way he'd hoped...

'Chance' is a black comedy about how hard it is to find "the one". Mostly told from the point-of-view of a young, sexually aggressive woman, named Chance, whom according to her: "we're all out there looking for true love", which turns out to be a very elusive thing indeed, and Chance is no exception. She's desperately on the prowl for a man, but since she's more mouse than cat, she gets herself into scrape after scrape in her screwball pursuit of love. Surrounded by a bevy of adoring but completely wrong-for-her men (and one dead girl from Manchester, England), Chance has to pick her way through her messy life in order to figure out which guy is "it".

Waging his one-man war on the world of organized crime, ruthless vigilante-hero Frank Castle sets his sights on overeager mob boss Billy Russoti. After Russoti is left horribly disfigured by Castle, he sets out for vengeance under his new alias: Jigsaw. With the "Punisher Task Force" hot on his trail and the FBI unable to take Jigsaw in, Frank must stand up to the formidable army that Jigsaw has recruited before more of his evil deeds go unpunished.