Femmes en colère

A recording of the Laterna Magika theater performance, which represented the Czech Republic at the EXPO 2020 World Expo. Scientific and technological development has advanced considerably since Čapek's time. Radius is challenged by artificial intelligence, which has taken over the world, to advance to a higher level of existence. His transition to a new dimension will complete the elimination of humanity from planet Earth. Miřenka Čechová's production reflects the threats facing contemporary society, but like Čapek, she believes in humanity and human values.

A compelling study of personal ambition versus the good of the state.

This is the story of a poet who lived at the time of the French Revolution. The poet's name was Andrea Chénier. He lived and died amongst love and bloodshed. The numerous words of truth spun by this revolutionary poet became poems for eternity. Even today, they continue to shine light on the hopes that rest in people's hearts. The tidal wave of the times, when everyone believes that the ideal kind of society has arrived, will in time move in the wrong direction. Ironically, Andrea and Maddalena will be joined together by a thing called love. Idealism, which has been pushed to the forefront of reality, is toying with Gérard's life. Before long, a raging torrent that provides an omen of the tragedy to come will overwhelm all three of them.

The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.

An 11-year old vendor of pirated copies of films in a downtown capital tries every possible way in his position to watch a film for the very first time inside the comfort of a cinema.

A theatre kid struggles with self-doubt.

On the eve of a major life change, Abby sorts through memories, unfinished conversations, and the pieces of a friendship strained by ambition. As departure day looms, the past and present collide, forcing her to confront what moving forward really means.

Two sisters reunite on the anniversary of the death of their father. Their uncle has remodelled their family home, in an attempt at a fresh start. But one sister's sudden reappearance threatens to shatter this fragile idyll as she demands justice for the pain she carries. Amid the debris and the new extension, guilt, grief and greed battle it out in the family's competing dreams of their future. When we are faced with the suffering of others, even those closest to us, can we look away?

In May 2014, just months after Dan died, the DSM Foundation commissioned award-winning playwright Mark Wheeller to write a verbatim play that told his story, so other young people could learn the lessons he sadly no longer could, and make choices that would keep them safe. The title takes Dan’s joking last words to his mum, Fiona, before he left home for what turned out to be the last time: ‘I Love You, Mum – I Promise I Won’t Die’. Mark worked on the very first production with his talented youth theatre company in Southampton, Oasis Youth Theatre, and the play had its first public performances in March 2016, with previews in Southampton and its premiere at the BRIT school, just a mile from Dan’s home in Croydon, South London.

an adaptation of a play by Federico Garcia Lorca. After her husband's death, Bernarda Alba imposes eight years mourning period upon her household as the tradition runs in her family. In a household of 5 girls their mother and their grandma the tension and the deprivation arise as the mourning period isolate them from the rest of the village and deprive them of any male contact.

Dr Frankenstein obsesses over his creation in Blackeyed Theatre’s adaptation of Mary Shelley’s masterpiece, in which The Creature is brought to life through puppetry. Captured live at Wilde Theatre, Bracknell, in 2022, this production features ensemble storytelling, multi-roling and live music and explores themes of revenge, prejudice and ambition.

A tragedy by Gotthold Ephraim Lessing.

This Is It is an exploration in finding truth within labour, creativity, and mortality. Written entirely on the job, Kyrstyn Kumor thrusts herself into the endless attempt at finding the answers. This Is It is a play inspired by Jordan Tannahill’s Declarations.

Two actors perform a play without an audience.

Ramsès II

In a tiny theatre in Aotearoa, New Zealand, four teenage stagehands work tirelessly to help Morgana tell the stories that shaped her - from her own teenagehood in 1998, to working foot-fetish parties in New York City, to falling in love and later birthing her babies in a Melbourne living room. By turns vulnerable and riotously funny, she moves from lamenting her chins to marvelling at her cellular functions, using her body as the living template for every tale she tells. Created and performed by Morgana O'Reilly (The White Lotus) and co-directed with her husband and real-life birth partner, 2025 BAFTA nominee Peter Salmon (After The Party), Stories About My Body blends nudity, heart-swelling honesty and real birth footage into a stand-up comedy special like no other - intimate, fearless and unexpectedly profound.

On the same day that Stalin was buried, Sergei Prokofiev's funeral took place completely unnoticed. And if the farewell to the composer quietly went against the backdrop of the farewell to the dictator that swept the whole country, then in the play everything is the opposite - Prokofiev's music is in the center, and it is interrupted by the stories of those people who would probably ignore Stalin's funeral and went to say goodbye to the great composer.

Le Cercle des Poètes disparus

The fortunes of a small theatrical company based in the Paris suburbs.

The son of the wealthy Signor Della Corba loves one of his maids. Her brothers and father rebel at the idea of this union. But the girl is pregnant, and after the birth of the child, Della Corba's son decides to kidnap his mistress on Carnival Day. The brothers, having caught wind of the plan, kill him, then, in disguise, take him masked to his father's house, passing him off as a drunken friend. At dawn, Della Corba discovers her lifeless son under the mask. The maid having died in the meantime, he takes the child in and adopts him.