Japanese master spy Daka operates a covert espionage-sabotage organization located in Gotham City's now-deserted Little Tokyo, which turns American scientists into pliable zombies. The great crime-fighters Batman and Robin, with the help of their allies, are in pursuit.
This 15-chapter serial pits Batman and Robin against The Wizard, who uses a device that allows him to control machinery to hold the city hostage.
The Riddler matches wits with Batman, but the encounters never go well.
Educational short film showing Batman in England teaching children how to cross the street correctly.
The Batman Plancarte
Sinful sexpot, Michelle "Bombshell" McGee takes you on a whirlwind march through a collection of absurd film clips and trailers from Nazi grindhouse cinema.
A gay jewish man speaks out about living with and dying from AIDS. He also discusses how being gay has affected his identity as a jew and his relationship with his parents.
Controversial documentary about gay men purposely contracting the AIDS virus.
A documentary that explores the myth behind the truth. Different people around the globe reinterpret the legend of Che Guevara at will: from the rebel living in Hong Kong fighting Chinese domination, to the German neonazi preaching revolution and the Castro-hating Cuban. Their testimonies prove that the Argentinian revolutionary's historical impact reverberates still. But like with all legends, each sees what he will, in often contradictory perspectives.
In January 1956, a new pop phenomenon appeared in the UK charts: a British artist playing a guitar. His name was Lonnie Donegan and the song he sang was Rock Island Line. Donegan’s rough-and-ready style was at odds with the polished crooners who dominated the charts. He played the guitar in a way that sounded like anyone could do it. Rock Island Line sounded like nothing else on the radio and it inspired a generation of British youths to pick up guitars and begin a journey that would take them to the top of the American charts.
Albert and David Maysles (Gimme Shelter) directed this 53-minute documentary about movie tycoon Joseph E. Levine (1963). Preserved by the Academy Film Archive in 2012.
New gas and electricity meters promise to save customers time, money and energy, but cameras reveal not all is what it seems when it comes to smart meters. With reports of more and more horror stories of inaccurate bills and an invasion of privacy, an investigation into things the energy companies and the government don't want you to know.
Maldoror whose lips are sulphur, whose eyes are jasper, is stranded on Earth amongst the humanity he hates. His dark shadow haunts the day. At night he is pursued by phantoms and the memory of his unspeakable crimes. He searches the darkest secret corners of the world for revenge, for rest, for a companion.
A neurodivergent portrayal exploring repetition, autism, and cinema's origins. Offering inclusive representations of autism through neurodivergent lenses.
The Forgotten Voyage: The Story of Alfred Russel Wallace
Kinetopsia, a disorder in which one believes that static objects are in motion, serves as a metaphor for the social situation we find ourselves in: the Velvet Revolution took place thirty-five years ago, and while the opaque present continues to bring new problems, public discussion often still revolves around the hunt for the "spectre of communism". From the perspective of a young couple, we discover the fascinating project of Sylvia's abandoned Discoland and become aware of the critical moments of the political transformation that has determined the economic and cultural conditions in which we live today.
Ida is cleaning out the house that her grandfather, an artist, used to live in. She wades through a studio overflowing with artefacts, oddities and lost history. Similarly to S P A C E S, Štrbová treats the theme of memory and loss, combining fiction and documentary, letting the images of nostalgic childhood and the suffocating past flow associatively. To the sound of Francesco Geminiani's Concerto grosso no. 12, subtitled Madness, the fragile physicality of both dead and living relics stands out. The head of a dead parrot, a cast of her grandmother's breasts or a moss-covered real estate agent represent the discoveries of a personal archaeological site and exhibits of an introspective museum of family history.
Portrait moments collected across the world carry powerful situations and stand out from the grip of the image with an expression, a tear, a flame, a scar or a position of the body. The glances and gestures directed beyond the frame of the photograph both stun and shake; the documentary and fictional scenes highlight traces of the elements or of cruelty, but also impressive expressions of harmony and concord. A single window carries the weight or the unfolding of a dramatic story.
The film is about Naum Kleiman, an internationally acclaimed Eisenstein specialist and former director of the Moscow Museum of Cinema.
The civilisation of Ancient Egypt was the greatest the world has ever seen, continuing for 3000 years with one religion, one language and one evolving history.