That Night

After five years studying in Paris, Arash has not adjusted to life there and has decided to return to Iran to live. Hoping to change his mind, his two friends Hossein and Ashkan convince him to take a last trip through France.

Breaking a centuries-old taboo, Ava stands as the first woman in Iran to master the male-dominated craft of carpentry. Within the grit and clamor of the workshop, she confronts a society that deems her presence forbidden. This observational documentary captures her daily battle against physical hardships and social judgment.

In pursuit of a better future, a young girl decides to emigrate. She leaves her homeland behind along with her belongings and her loved ones. In the new country she realizes the depth of her venture and discovers that the only thing she carries with her from her homeland, is a symbol of love.

A Hezbollah suicide bomber breaks silence to reveal the inner workings of the organization and his involvement in a narcotrafficking alliance with the FARC. Discover the hidden agendas between Iran, Latin American governments and organized crime.

A playwright Iran tries to confront a creative crisis while political clashes erupt during her country's 2009 election.

AMERICAN COUP tells the story of the first coup ever carried out by the CIA - Iran, 1953. Explores the blowback from this seminal event, as well as the coup's lingering effects on the present US-Iranian relationship. Includes a segment on the 1979 Iranian Hostage Crisis and its relation to the 1953 coup. Concludes with a section on the recent Iranian presidential election. Contains interviews with noted Middle East experts and historians and prominent public figures such as Stephen Kinzer (author, All The Shah's Men), Prof. Ervand Abrahamian, Trita Parsi, Col. Lawrence Wilkerson, Ted Koppel and Rep. Ron Paul of Texas. With Iranian cinematography by James Longley.

The story is about a doll named Amo Pumble who teaches children how to live in society by reading a magic book to children.

Iran, January 16th, 1979. Shah Mohammad Reza Pahlavi flees after being overthrown. Ayatollah Khomeini returns to Tehran and proclaims the Islamic Republic on April 1st, 1979. In the same year, Saddam Hussein seizes power in Iraq and, after several border skirmishes, attacks Iran on September 22nd, 1980, initiating a cruel war that will last eight years. Since its outbreak, correspondent Saeid Sadeghi documented it from its beginning to its bitter end.

Nous, Jeunesse(s) d'Iran

In a mix of 2D animation and live action, through their voices and acting, two actresses recount the lives of imprisoned women that opposed the Russian Regime and their emotional stories of suffering and anguish.

Leyla and her six-year-old daughter Nila live in the holy city of Mashhad in Iran. Nila is the result of a temporary marriage, which allows a man to marry a woman even if he is already married. Children born from such a relationship are legally non-existent. As long as the father does not recognize the child, no birth certificate can be issued and Nila cannot attend school. The documentary depicts Leyla's tireless efforts to clarify Nila's legal status in order to offer her a perspective for her future. In a never-ending bureaucratic battle, Leyla fights not only against the legal system, but also against a judgmental society.

In 1972, Bahman Maghsoudlou made a short film about Iranian artist Ardeshir Mohasses. For 36 years, this remained the only film about this internationally acclaimed artist. In 2008, spurred by a New York retrospective of Mohasses's work and the artist's passing, Maghsoudlou finally began work on the extended film he knew its subject deserved. Thus was born, Ardeshir Mohasses: The Rebellious Artist.

Two men, the hint of a sofa corner and a pile of letters. Using minimalist means, the film tells the story of two brothers caught between exile in a foreign country and resistance in the underground. It takes us back to the time when the revolution seized power in Iran and tells of life between the fronts. Daniel Asadi Faezi sketches the story of his father and his brothers - based on correspondence that has lain in the cellar for 30 years.

The Last Jews of Baghdad takes a historical and personal look at the persecution, torture, escape and exodus of over 160,000 Iraqi- Jews between the years 1940 through 2003. Hear from the survivors the real reasons why they left their beloved homeland of over 2500 years and if they will ever return.

The Freedom of the Sea is a short documentary highlighting the freedom of living in the UK - in contrast to a more restrictive life in Iran - through the joy of daily sea swimming in Brighton.

Follows Anna Williams, an Oriental carpet repairer from New Zealand, on a pilgrimage to Iran, where she stays with the Qashqai, and then to London where she meets Sir David Attenborough to talk about the Qashqai and their traditionally woven rugs.

Les Empires contre-attaquent

An Iranian boy befriends an old Japanese woman at a graveyard in Tokyo.

Nearly three years have passed since the "Woman, Life, Freedom" protests in Iran. Many who took part in the 2022 (1401) demonstrations paid a heavy price: some were killed, many were permanently injured, others were sentenced to long prison terms, and many lost their jobs. Among the well-known figures who supported the protests was Taraneh Alidoosti, one of Iran’s most prominent film actresses. After she posted an unveiled photo of herself and later protested the execution of Mohsen Shekari, she was imprisoned. Following her release, she became ill and remained out of the public eye for some time. Alidoosti has also been banned from acting in cinema. For the first time, in the documentary Taraneh, produced by Pegah Ahangarani, Alidoosti speaks about her decision to join the protest movement after the killing of Mahsa Amini. She talks about the day she was arrested at home in front of her little daughter and about the loss of her skin due to an autoimmune disease.

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.