The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.
Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.
Sexta-feira da Paixão, Sábado de Aleluia
Through a historical-affective reconstruction of the Boca do Lixo region, in São Paulo, the documentary aims to investigate what was the cultural, social and geographic impact that the cinema made there had for the city and for the country during the from the 1960s to the 1980s.
Luz and Denise grow up in the midst of the adversities of being LGBT in the extreme south of the city of São Paulo. Between Vogue and poetry, from church to city access. The dreams and uncertainties of youth flood their existences.
Sangria
In Brazil's countryside, Amanda tries to get her first show while Thamires tries to make her first film, both at risk of the highway.
Escândalo em Vermelho
Helena! Cinema!
Fulano de Tal
A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals. Semi-finalist – Serbest International Film Festival (SIFF), 2025
A Morte do Brasil
'Morra.com' reveals the strength and importance of marginal cinema in the 60s and 70s. In the film, the cardboard collector dreams of becoming a filmmaker and producing a film, while uncovering a crime that occurred in ”Boca do Lixo” .
Morten Wichmann's first oneman show. The show was recorded during the Zulu Comedy Festival at Huset KBH, and it's a show that I'm actually really proud of. Here are all my best bits so far collected and wrapped in a good portion of idiotic hip-hop attitude. All performed in front of 120 enthusiastic audience members who really helped give the show the intimacy and nerve that I like about stand-up.
Beauty Zosia is a “hunter” by nature: she very professionally captivates rich men, draws money from them, and then throws deceived fans and plans a new victim. Once at the opening day, Zosya meets an irresistible macho, photo artist Mateusz, and, contrary to her own principles, falls in love with him. But after a while she begins to realize that Mateusz is also a “hunter” and that they are colleagues ...
Having just arrived at his new post at the Athens homicide division, Chief Inspector Max Richter is immediately called to duty: a young musician has been found shot dead in her apartment. Together with his Greek colleague Petros Makropoulos, he immediately begins the investigation. The two are initially very skeptical of each other, but together they manage to identify a suspect. However, the more information they uncover, the more obscure the case becomes, and they soon find themselves in the middle of a transnational corruption scandal.
The focus of this comedy is a wealthy, somewhat degenerate Mr Wilhelm, junior manager of a large Prague trading company. A young factory worker Susi freed herself from business ties and prejudices, a sluggish self-drive-blank...
Po gets suckered by Fung to break into a castle.