¿Derecho a la buena muerte?

De la Quadra-Salcedo: El reportero que quisimos ser

Buenos Aires seems like the ideal metropolis: stunning views, art and warm people. However, apathy and control threaten to overtake the city’s spirit to turn it into a place where the cruel are rewarded while the righteous are punished. Can we change the path?

In the year 2022, overcrowding, pollution, and resource depletion have reduced society’s leaders to finding food for the teeming masses. The answer is Soylent Green.

A man who has a body almost completely covered in tattoos is searching for the woman who cursed him with the "skin illustrations". Each tattoo reveals a bizarre story, which is experienced by staring at the scene depicted. When the illustrated man meets a fellow tramp on the road a strange voyage begins.

A group of boys and girls, twelve in total, gather at an abandoned hospital to die for various different reasons. There, they find the body of a dead boy. The group of twelve attempt to find the person who killed the boy. During their search, the reasons why they want to die are revealed.

Ludovico accepted the last choice of his wife, out of love. Now he has to find the courage to reveal this to his daughter.

A doctor performs euthanasia inside his car. His new patient seems unsure of her decision, so the two spend the night together. Adrián tries to convince Marina to move on with her life, but the conversation convinces her to end the last night of her life.

Tutti ne hanno paura

A son must help his father to carry out his last wish.

L'Ultimo Viaggio

The making of the motion picture Bitch Slap, from an initial concept to the end of principle photography. Featuring irreverent behind the scenes footage and candid interviews from the cast and crew who lived to talk about it.

27 Palestinians and Israelis, including Orthodox Jews, religious Muslims, bereaved families, kibbutz members, second-generation holocaust survivors, and nonviolent activists, are asked to listen to one another and clarify the differences between how they grasp reality and how they see the other side.

Den anden side

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

The Drift traces the shifting economies of objects in contemporary Lebanon. The film moves between three main characters: the gatekeeper of the Roman temples of Niha in the Beqaa Valley; a young mechanic from Britel, a village known for trading automobile parts; and an archaeological conservator working at the American University of Beirut.

In Ramen Heads, Osamu Tomita, Japan's reigning king of ramen, takes us deep into his world, revealing every single step of his obsessive approach to creating the perfect soup and noodles, and his relentless search for the highest-quality ingredients.

Seekers of Oblivion explores the exciting life and adventures of Isabelle Eberhardt. Born in Geneva, Switzerland in 1877, Isabelle left Europe for North Africa at a young age. While there, she consorted with tramps, prostitutes, soldiers, murderers and thieves, at times masquerading as a man in orde.

The documentary focuses on how future technology could significantly change the two inevitable features of the human experience: punching the clock and fading away. With advanced automation and artificial intelligence, the utopia of the end of human labor or the dystopia of widespread unemployment could not be a thing of science fiction. Scientists, engineers and academics all come together to share their thoughts on the future.

There is no topic that unites all of Vancouver quite like that of housing. At every dinner party, social gathering, or chance meeting in the street, everyone has an opinion, and they want to share it. Charles Wilkinson’s new film Vancouver: No Fixed Address tackles the subject from a multiplicity of perspectives. A chorus of voices chime in — everyone from David Suzuki, to Vancouver Mayor Gregor Robertson, Seth Klein, Condo King Bob Rennie, Senator Yuen Pau Woo, and lots of regular Vancouver citizens.

Alaouié presents the stories of four exiles from Beirut. Their only connection is the voice of the narrator and their situation of living in exile in Europe. Told with a subtle humor, the film sketches four highly individual portraits of people, whose lives have taken unexpected turns due to the madness of the Civil War.