The Filmmaker

Set in an alternate, post-apocalyptic 1976, a filmmaker follows a worn and disillusioned photographer who, despite the circumstances, continues to make pictures.

Thurston Moore, Kim Gordon, and Lou Reed roam the streets of Los Angeles searching for James Woods.

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

On the beach at sunset a man waits for his one true love. When she arrives, a bittersweet romance ensues.

Shot on Super 8, Aunty CB is a memory montage of a woman’s stream of consciousness and her honest introspection surrounding gendered family dynamics and childhood trauma. Framed as a confessional monologue, Singlish, Hokkien, and English are employed to capture a linguistic and vernacular portrait of the eponymous character.

A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.

Mr. Lobster visits a long-lost friend.

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

Join Lucy as she embarks on a spiritual journey to Mars in this psychedelic short film full of music and mischief.

This is the story of Roger, a former pork butcher, who worked for 40 years in the beautiful town of Beaune in Burgundy. Since he retired, he has started a new life as a filmmaker: Roger films only on Super 8. Insects, birds, everything he can find in the countryside are his favorite subjects. His short films have won prizes all over the world, some of them have been shown during the Cannes Film Festival. Josette, his wife and number one fan, happens to work for him from time to time.

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.

A teenager stumbles upon a mysterious book from which he reads the written words out loud. As it turns out, playing with black magic spells is not the most sensible idea, because soon a bloodthirsty zombie appears, and the carnage begins. However, the curious young man reads another spell from the book in which he then surrenders his soul to the devil. Now he becomes the target of the zombie hunt, and all its victims, who rise up as the next living dead!

A top lad recollects fights, friends and painting his toenails with his dad.

Peronoise is a being who tells us a story, who proposes the senses as currency instead of using Argencard or Mastercard, who presents and provides emancipation as a path, who establishes a Ministry of Hearing, who announces that we can dance, that it's a party!, whose enemy is Dr. Mutantis, the white male patriarch of holy causes from the Austro-Hungarian suburbs.

A negative film in black and white, inspired by Focault's text Utopian Body.

The first film by Chantal Akerman, a short silent 8mm film shot during the Brussels summer Midi Fair, that was one of four short films she made as a short of entrance exam at INSAS were she studied for just a couple of months.

This Super 8 short film was discovered on May 22, 2024, at the Paraguayan-German Cultural Institute in Asunción. The film is the result of a workshop produced by the ICPA's film department in 1987, led by filmmaker Marie Louise Alemann, a pioneer of experimental cinema in Argentina.

Analía and Andrés are neighbors but barely know each other. On the night of December 31, 1999, both are forced, for different reasons, to spend New Year's Eve alone.

Someone waiting, a letter arriving, an unexpected kiss in the garden, a doorbell ringing, someone on the street waving with their suitcase in hand. One-by-one camera montage. No reshooting or interruptions.