A traveling couple end up in an abandoned Nebraska town inhabited by a cult of murderous children who worship a demon that lives in the local cornfields.
Determined to have a normal family life once his mother gets out of prison, a Scottish teenager from a tough background sets out to raise the money for a home.
Based on a real-life story, this drama focuses on a small group of Allied soldiers in Burma who are held captive by the Japanese. Capt. Ernest Gordon, Lt. Jim Reardon and Maj. Ian Campbell are among the military officers kept imprisoned and routinely beaten and deprived of food. While Campbell wants to rebel and attempt an escape, Gordon tries to take a more stoic approach, an attitude that proves to be surprisingly resonant.
A couple's attitudes are challenged when their daughter brings home a fiancé who is black.
John's first independent work from 1989. Won Best of Fest Shorts at the Cinequest Film Festival, CA. The film is comprised of highly rendered drawings with very little moving parts to tell a complex story of relationships "gone to the birds".
Hard times come for the Carraclough family and they are forced to sell their dog, Lassie, to the rich Duke of Rudling. Lassie, however, is unwilling to remain apart from young Carraclough son Joe and sets out on a long and dangerous journey to rejoin him.
Filip is released on parole from a youth detention center and returns home to his mother, who is being seemingly helpful with his integration back to life. However, in a familiar environment surrounded by people from his past, Filip's frustration starts to show.
Determined to break free from her insignificant role as a bread-toasting line cook, Annie's inventive spirit clashes with Chef Louie's strict rules, sparking a culinary clash that challenges the restaurant’s status quo and ignites her own journey of self-discovery. As Annie navigates the chaos of the kitchen, she unearths the memories of her father's teachings, using them as inspiration to transform her outlook and prove that her creativity is more than just a garnish.
In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.
Majka attends a casting out of desire to become an actress but when her mom gives her a push-up bra to fit in, Majka is conflicted. She wasn't aware that she had to alter her appearance to increase her chances at winning yet she trusts her mom. The bra gets uncomfortable, Majka tanks her audition but learns a valuable lesson, to be her own person.
50-year-old Jim (Gerald Chew, "Apprentice", Cannes Film Festival 2016 Un Certain Regard) loses his high-flying job in status-conscious Singapore, but his ego and pride compel him to hide this from his wife (Amy J Cheng, "Crazy Rich Asians") and daughter. His only confidante is his best friend (Sivakumar Palakrishnan, "A Yellow Bird", Cannes Film Festival 2016 Critics' Week). Desperately clinging onto the material symbols of his past success, he unlocks a hibernating malevolent force, with sinister roots in long-buried secrets. As his dream life crumbles around him, worlds collide, the lines between then and now become increasingly blurred, and Jim descends into a waking nightmare. REPOSSESSION is a bold, genre-bending film, with an ever-evolving, haunting soundscape from Golden Horse Award-winning composer Teo Wei Yong ("A Land Imagined").
Colin died 50 years ago. Every day, he waits in limbo for his high school sweetheart to arrive. Will he be able to convince her to spend eternity in the afterlife with him... or has time taken away his one chance at love?
Nine-year-old Frankie and his single mum Lizzie have been on the move ever since Frankie can remember, most recently arriving in a seaside Scottish town. Wanting to protect her deaf son from the truth that they've run away from his father, Lizzie has invented a story that he is away at sea on the HMS Accra. Every few weeks, Lizzie writes Frankie a make-believe letter from his father, telling of his adventures in exotic lands. As Frankie tracks the ship's progress around the globe, he discovers that it is due to dock in his hometown. With the real HMS Accra arriving in only a fortnight, Lizzie must choose between telling Frankie the truth or finding the perfect stranger to play Frankie's father for just one day...
This little comedy is set in a small factory come halfway home, employing only handicapped people. Ollie Rennie is the boss and sometime minder of all his workers. He employees Pat Cannizzaro to help get all his workers into some sort of sport, and Pat just happens to be a soccer teacher. He forms a team and tries to take them all the way, with some funny results.
On a desolate country highway, two homeward-bound teens are nearly run off the road by a maniac in a beat-up truck, and later spot him shoving what appears to be a body down a sewer pipe.
In a society on the brink of collapse due to climate change, a woman grapples with the psychological effects of an unnatural existence. Cut off from her loved ones, she seeks refuge in various forms of escapism, desperate to outrun an ever-looming sense of doom.
The crew of a bankrupt Scottish trawler turn to smuggling illegal immigrants over the stormy waters of the North Sea.
A construction site is set up next to a colony of forest workers. Murgu, a worker on the construction site, and Maria, a girl raised by foresters who took care of the colony's household affairs, fall in love with each other.
With both parents working far away, ten-year-old Chuang is being raised by extended family in his home village, where thousands of years of rural tradition collide with the socio-economic changes of China in the early 1990s.