Documentary tracing the attempts of a team of Massachusetts Institute of Technology Institue students to become rich playing blackjack at casinos throughout the United States and the attempts of the casinos' management to thwart them.
A young woman who lives in a desert trailer park must choose between caring for her hapless father and sick friend or fulfilling her own destiny.
Experience why America has fallen in love with Terry Fator's irresistible combination of humor and music and his hilarious cast of characters! The million-dollar winner of "America's Got Talent" and his endearing puppets deliver spot-on performances in the styles of many favorite singers.
Reynolds plays an ex-soldier-of-fortunish character in Vegas, taking "Chaperone" jobs, fighting with the mob, and trying to get enough money together to move to Venice, Italy.
An ex-Marine, on the lam from a murder charge, hitches a ride with a glamour-magazine photographer, who is travelling cross-country with her principal model. Tensions rise when the women realize the man with them may be a killer.
Doreen is about to marry the man of her dreams, Hank, a mild-mannered guy who is equally as excited about marrying Doreen. However, Doreen's older brother, a wild man named Travis who's been estranged from her for several years, shows up to make amends, but instead he accidentally curses her. Doreen is now possessed by the devil. In Las Vegas is a homeless man known as Johnny Priest, who is the last known person to perform an exorcism in America. It's up to Travis and Hank to put aside their differences and travel from Chicago to Las Vegas to get Doreen an exorcism before it's too late and her soul is lost forever.
In Las Vegas, Lucky and two of her girlfriends, Carol and Lisa, plan to steal half a million dollars from the sadistic manager of the Circus Circus Casino. A shadowy man is their contact and organizer. Each of the women could be a weak link in a scheme that has to be flawless: Lucky's boyfriend is a security officer at the casino, Lisa is a trapeze artist who's now plagued with vertigo, and Carol is in debt to a nasty thug - plus, as a Black woman, she's subject to additional harassment. Can the gals pull off the heist, or is the plan, with it's mysterious organizer, too complicated to succeed?
ROUCH meets Rublev! Anssi Mänttäri’s and Heikki Takkinen’s new joint direction work is an ethnographically fascinating documentary about rituals across the border. It takes us to Estonia, to the small village of Saatse where Setos celebrate their traditional folk festival.
Can feminism and religion coexist? Inna Shevchenko of the Ukrainian FEMEN collective seeks answers to a difficult question in candid conversations with priests, imams, rabbis and other activists.
An immersive journey into southern Galicia, one of Europe's most vulnerable wildfire zones, where humans and animals alike struggle to cope during the hottest, driest summer on record.
Ensayos y errores
Through a personal journey through space and time, where the past and present connect, a granddaughter rediscovers with her grandfather the corners of her childhood and ventures to explore her memory, in an incessant search for a fading past . Discovering old cassette tapes, he faces grief and longing, and decides to revisit his grandmother's house, in search of the essence of his journey.
Jeff Towne revisited four years after the release of the original film.
In an attempt to make her mother's dream come true, the director accompanies and is accompanied by three VRChat users, Rúben, Rodrigo and Stiff, who share their experiences and their contact with virtual reality, in an affective, technological and critical way.
Tekoá Koen-ju
Tekoha Ha’e Tetã
Kwanxwala-Thunder recovers the history of the Kwakwaka’wakw and stitches it together with contemporary stories of football and potlach in Canada. This creative documentary intertwines Canadian history, indigeneity, colonial legacies, feminisms, and sport. Shot over the period of several years (2009-2015), Kwanxwala-Thunder constructs a portrait of Alert Bay through soccer. The film's impressionistic approach takes us through the incorporation of soccer into Kwakwaka'wakw culture despite its colonial arrival on the island while highlighting multiple generations of female soccer players.
From photographs archived in family albums and photographs of patterns and texture, a collection of small stop motions emerges, accompanied by nostalgic ambient sounds. A reflection on childhood and the lack thereof.
"Porta de Expressão" begins with a shot of the stairs at the entrance to the Cineclube de Guimarães. The sound of footsteps ascending the stairs and the murmur of a small crowd fill the air, but the stairs are empty. This "phantom sound" creates an atmosphere of mystery and absence, reflecting the invisibility and silence forced by censorship. The subtle sound of the projection machine mixes with some voices that tell of the many creative ways that the film society found to circumvent censorship during the PIDE era. Among the many cinephile memories there are reports of the cultural resistance of the film club.
The word and image "Meer" are brought together by young people in a provisional way.