Da Terra

Documentary on the life of the Basque shepherd and oral improviser (or 'bertsolari') Fernando Aire (1920-1976), known as 'Xalbador'.

Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.

Two veteran journalists uncover the oil and gas industries' role in what could be one of the greatest environmental catastrophes in modern times, an ecological tragedy that threatens to eradicate much of southern Louisiana, including its revered fishing trade and age-old way of life.

A lesson in geography, which concludes that although the Great Lakes have had their ups and downs, nothing has been harder to take than what humans have done to them lately. In the film, a lone canoeist lives through the changes of geological history, through Ice Age and flood, only to find himself in the end trapped in a sea of scum.

Cinema Berlín

Living on the prairies during the summer, the Swainson Hawk flies 11,000 km to Argentina for the winter. But toxic pesticides pose a serious threat to these majestic birds. Dr. Stuart Houston and his team use satellite technology along with traditional bird-banding to greatly increase our knowledge of the lives of migratory birds.

Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.

Quem trocou as memórias de lugar

The amnion – the fetal membrane protecting the embryo – becomes a metaphor in the film for an intimate space where pain can be shared and a path to healing sought. This sensitive portrait of three women whose lives have been marked by sudden separation is carried from the outset by a meditative soundtrack that shapes an environment in which personal experience becomes expressible. Ritual gestures – traditional costumes, cooking together, hugging – create a protective shell that allows pain not only to be expressed and shared, but also transformed.

Most people were first exposed to Michael C. Ruppert through the 2009 documentary, Collapse, directed by Chris Smith. Apocalypse, Man is an intimate portrait of a man convinced of the imminent collapse of the world, but with answers to how the human spirit can survive the impending apocalypse.

A year through the distant eyes of meteorological satellite Himawari-8 – a hypnotic stream of Earth's beauty, fragility and disasters. Animation of satellite irradiation scan measurements, scientific data by meteorological satellite Himawari-8 courtesy of JMA/BoM/NCI

Award-winning war photographer Rita Leistner goes back to her roots as a tree planter in the wilderness of British Columbia, offering an inside take on the grueling, sometimes fun and always life-changing experience of restoring Canada’s forests. Leistner, who has photographed some of the world’s most dangerous places, credits the challenge of tree-planting for her physical and mental endurance. In Forest for the Trees, her first feature film, she revisits her past to share the lessons she learned. The film introduces us to everyday life on the “cut-block” and the brave souls who fight through rough terrains and work endless hours to bring our forests to life. The rugged BC landscape comes to life magically in Leistner’s photography, while the quirky characters and nuggets of wisdom shared around the campfire tell a sincere story of community.

As a centuries-old black community, contaminated and uprooted by petrochemical plants, comes to terms with the loss of its ancestral home, one man standing in the way of a plant's expansion refuses to give up.

A post in the debate on Swedish forestry highlighting the difficulties and consequences of a hard deforestation with fast-growing forest plantations and a devastating short-sightedness. The documentary shows the vulnerability in the transition to a fossil-free society where we become increasingly dependent on the forest as a natural resource.

Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.

Las casas de mi abuelo

In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.

Why does Old Granny seem less lovable as she ages? 82-year-old Granny lives with her fifth son in a Guangzhou apartment, but spends most of the time by herself. Two of her children are dead, another two have their own families, and a further two divide their time between Shenzhen and Hong Kong. The only connection among members of this family seems to be the annual grave sweeping ceremony.

The first full-length film about the Chornobyl tragedy, filmed in May-September 1986. The authors did not set themselves the task of showing an exhaustive picture of what happened in Chornobyl. They sought to capture the testimonies of people directly involved in the tragedy, the lessons of which have yet to be realized.

“Our memories are marked by smells. Bound together by their olfactory sensitivity, a daughter leads her father to question his family heritage: together they go through their double mourning, that of a grandmother and a childhood in Algeria. How do you face up to the fear of vanishing ghosts?”