Beauty and the Beast: Two Igbo Masquerades

How did Bonnard, one of the great masters of 20th-century painting, a secretive, anxious man with an ordinary everyday life, become this undisputed painter of intimacy, capable of transforming reality into a unique and incandescent world? Through his paintings, but also his private journals, his correspondence with Matisse and Vuillard, the photographs he loved, and the places where he lived, the film immerses us in the world of this master of color.

When 74-year-old Robert Tilley agreed to take photographer Ting Ting Chen on a road trip across Newfoundland, neither could have predicted the deep, cross-generational friendship that would blossom between them, nor how Robert's role in Ting Ting's art would challenge traditional ideas of the artist-muse relationship. This touching short film explores the concepts of aging, memory and identity while demonstrating the power of creative connection.

‘Death Sounds a Quiet Gong’ was originally screened at Village Works (12 St. Marks Place, New York City, NY) on October 24, 2025. The poem was first published in the inaugural release of biannual literary journal the Tough Poets Review.

The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.

Bas Jan Ader rides his bike into a canal in Amsterdam.

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.

Tattooing — "the world's oldest skin game" — is the subject of this iconic documentary. Writer/director Geoff Steven scored a major coup by signing Easy Rider legend Peter Fonda as his presenter. Travelling to Aotearoa, Samoa, Japan and the United States, the doco traces key developments in tattooing, including its importance in the Pacific, prison-inspired styles, and the influence of 1960s counterculture. Legendary tattooists feature (including Americans Ed Hardy and Jack Rudy), while the closing credits parade some eye-opening full body tattoos.

400 years ago, in Japan, a revolutionary art was born and would influence the greatest Western artists of the late nineteenth century, the Ukiyo-E "floating images of the world." A wonderful trip in a world of beauty and discovery. The concept and objectives of this documentary are, on the one hand, to show, teach and discover Japanese art (Japanese stamps and prints) and, on the other hand, to demonstrate the influence of Japanese stamps on Western modern art, showing in comparison some of the Most famous paintings (impressionism or paintings by Van Gogh).

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

The film documents the life and art of painter Jehangir Sabavala, capturing the intricate relationship between the artist’s vision and his environment. Khopkar describes the challenges of conveying Sabavala’s creative spirit through film, emphasizing the need to engage with the subtleties of colour, light, and composition.

Music has the capacity to breathe life into a cinematic image. The evolution of Hindi film music has been shaped by technological changes in the recording industry as well as other cultural forces like the local Ramlila tradition, the narrative structures of Hindi films and the rising prominence of women characters within those narratives. But despite these wide range of influences, what remains central to Hindi film music is the way the sounds, lyrics and notes touch a chord with the common man. From the streets of Bombay, to the local barber shops and the booming remixes floating in urban clubs that has generations of youth gyrating to the beats very few spaces have been left untouched by Hindi music. Arun Khopkar's musical journey is accompanied by equally joyous camera movements and thus, manages to provide a nuanced understanding of the elements of Hindi film music and how the orchestra, percussion and western influences created a harmonious confluence of unique musical patterns.

The inspiring story about the professional rock smasher Clive Tapps. A devoted man who plans to fulfill his dream, to smash the biggest rock he has ever faced.

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

A powerful portrait of Africa's most widely acclaimed contemporary artist El Anatsui. It gives an insider's view of the artist's practice, the ingenious steps and thousands of hours of labor that convert used bottle tops into huge, opulent wall hangings.

Slasti a hořkosti mistra Švabinského

A generational trauma through the lens of an Asian American teenager through food and poetry.

Bruno Petretto is a farmer, breeder, actor and artist. He lives in deep symbiosis with nature and uses natural elements as the primary components of his works of art. He dedicates his days to taking care of the Molineddu Arts Park, an enchanted forest where art reigns supreme and coexists with the landscape.

Rafael França: obra como testamento

The Song of Haenyeo

A look at the aftermath and global impact of the docuseries `Surviving R. Kelly'