CyberDome

Au-delà des liens

Since her parents separation, 16 year-old Molly is undergoing a transformation that she doesn’t yet understand. Trapped in an unhappy family dynamic, Molly has decided that today is the day to make a stand.

Lyssa

A young couple on a ski trip tries to save a freezing dog outside a hotel and sparks a clash with the staff.

Comments on the history of a people, made by the filmmakers and their characters. From the time of contact, through captivity in rubber plantations, to the current work with video, the testimonies give meaning to the process of dispersion, loss and reunion experienced by the Huni kui.

Lost Mind is an experimental short film, written and directed by Lucas Donnat, that explores the perception of time and memory through the staging of a man's death. The film questions the boundary between reality and imagination. Here, time is no longer linear: the past becomes the memory of a future, and the future becomes the altered continuation of a past already rewritten. Currently in production.

Essai 2095

Bande Annonce Fête du court métrage

Hunters cut themselves off from the digital world for a while. They retreat into the forest, a disconnected territory. But a growing constellation of network access zones is threatening this healthy break.

Didier remembers. In the intimacy of his daily life, he recounts his memories of love and loneliness, of what is hidden and what remains. The film questions how memories build our identity, while raising awareness of the struggles and hardships that LGBT seniors face throughout their lives. It values resilience in the face of discrimination, while offering support tailored to this community. The film is also a message of hope to future generations with worries and fears about growing up and growing old in a blurred and uncertain world and future, where acquired rights - those of women, LGBT+ people and minorities - seem once again to be weakened and called into question.

À la lisière

Social conditioning stifles the human spirit, confining it to a tunnel with no light. In her world, the dancer explores and transcends the duality within herself. Aspiring to become a single atom, she merges into the planetary spiral. This atom grows, revealing a hidden light. The revelation is simple: we know nothing; we are a particle in the infinite universe. Be nothing. Be.

One summer, I was filming by the seaside, and I met him. I was playing as a floating dead body. He thought that I committed suicide by drowning, and “saved” me by the seaside. I fell in love with him right away. We went to watch all the movies I loved; I talked to him about my fascination with death. I asked if he would come to my funeral after my death. He could no longer bear with that and left me. After all the incidents, I sit in the theater, looking at the big screen, watching our stories taking place, and realize that everything is my imagination. Yet, I would love to stay in that fictional story.

An 11-year-old boy is preparing for his performance at the end-of-year show. But he gets stage fright and spills something on his costume. He runs off to wash the stain out and embarks on a journey of self-discovery that, after many detours, gives him new self-confidence.

On her 40th birthday, Lena's carefully constructed life falls apart: her long-term partner Stefan leaves her the day before, and the friends she thought were her friends take his side. She desperately tries to hold them back, but the situation escalates.

Tropismat

Babyspice is the story of a person who wavers in the aftermath of a breakup. Rather than flee from the pain, they choose to welcome it.

As if in a conversation amongst friends, four young women speak out about the sexual abuse they have experienced in everyday settings. What is the hidden history of these familiar places that, at first glance, seem harmless?

Falliti

A mother and her daughter are questioning the practice of the white sheet: the ‘Matsamiyo’. This family custom, practised in Mayotte, involves verifying a woman’s chastity before her marriage.