Giulio Regeni: All The Evil In The World

This film recounts the murder of Vincent Chin, an automotive engineer mistaken as Japanese who was slain by an assembly line worker who blamed him for the competition by the Japanese auto makers that were threatening his job. It then recounts how that murderer escaped justice in the court system. Restored by the Academy Film Archive and The Film Foundation, in association with the Museum of Chinese in America. Restoration funding provided by the Hobson/Lucas Family Foundation, with additional support provided by Todd Phillips.

Kadhafi, la folie d'un dictateur

This documentary offers a rare look at domestic abuse through the concept of coercive control. With exceptional access to hearings in Poitiers, Colmar, and Paris, Karine Dusfour captures the first French trials to address this form of psychological violence. The film shows how coercive control traps partners through constant monitoring, a hidden terror affecting hundreds of thousands of women and children in France.

Argentina, 1973. The return of democracy marks the beginning of a new countdown to the next coup d'état: on March 24, 1976, the worst dictatorship in Argentine history is installed, the bitter fruit of a plot carefully hatched for months.

In Germán Araujo, director Aldo Novick revives the memory of a journalist who defied censorship during one of Uruguay's darkest periods. Through previously unseen archival footage, testimonies, and music, the film honors the courage of those who reported the truth when it was risky. This powerful documentary is shaping up to be one of the most important Uruguayan film releases of the year.

Documentary about the life story of one of Argentina's sports idols. One of the forty-three soccer players who won a World Cup, a fight. Filmed in Mendoza, Santa Fé, Rosario and Buenos Aires.

Aslı Erdoğan, world-renowned author and activist, has fallen into silence after she fled to Germany. Incomplete Sentences is a feature documentary on her literature and life, leading to exile in Frankfurt, after the Turkish regime’s oppression results in her unlawful imprisonment. Now, she struggles in exile while everybody is waiting for her to write again. Right after getting out of prison Aslı starts telling her story to the director, wandering in the streets of Istanbul she recites parts from her books and explains the stories behind. When Aslı goes to Germany to receive the Erich Maria Remarque Award she cannot return; thus her exile, which she likens to a semi-open prison, begins. As her health deteriorates and keeps her from writing, the tragedy in her books becomes her own reality.

In the early ‘70s, in Argentina, a group of homosexuals decided to confront the status quo. With testimonies from its survivors as its denouncement source, Sex and Revolution brings back the voices of those who thought in order to be recognized as political actors in a society that wasn’t prepared for them.

From its old age, a SIG-510 rifle tells the story of its military service as a weapon used by the Chilean army. It tells of his military training, its frustrated desire to serve his country, and the memories it has of the Coup d'état that occurred in 1973.

Never before in Russian history has the Russian domestic intelligence services been more powerful than today. The FSB is a murky organisation that can ruin people’s lives who are deemed enemies of the Russian state and even commit murder on behalf of the Kremlin. Four people in exile open up about their experiences with the FSB.

INVASION is a documentary about the collective memory of a country. The invasion of Panama by the U.S in 1989 serves as an excuse to explore how a people remember, transform, and often forget their past in order to re-define their identity and become who they are today.

Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

Who is Kim Yo-jong? In a context of maximum tensions between North Korea and the United States, Pierre Haski paints an unprecedented portrait of the little sister of Kim Jong-un, whose influence in Pyongyang is growing stronger day by day.

Chennu committed his first crime when he was 15 years old: being a street kid. And he entered hell: Pademba Road. The adult prison in Freetown. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.

Filmed over four years with unprecedented access, this documentary chronicles the riveting courtroom drama of two defamation lawsuits brought by Sandy Hook Elementary School shooting victims' families against Alex Jones and his website, InfoWars.

An early Patwardhan documentary completed in 1978, Prisoners of Conscience focuses on the state of emergency imposed by Indira Ghandi from June 1975 through March 1977. During this time over 100,000 people were arrested without charge and imprisoned without trial. They were released only by the government that replaced Ghandi's. The film also shows that political prisoners existed in India before the state of emergency and continued after the new government was elected.

A documentary about the controversial businessman Henning Boilesen Jr. and his involvement with the military regime as one of its most enthusiastic supporters, financing it and participating in the tortures of political prisoners. Those actions later culminated in his assassination in 1971 by members of militant groups opposed to the regime.

Malvinas, history of betrayals is an Argentine-Mexican co-production documentary film directed by Jorge Denti from a script by Irene Selzer and Alberto Adellach.

A semi-fictional correspondence between two women: one goes to Iran in 1979 to topple the Shah; the other experiences the onerous years of Ceaușescu’s Romania. Their biographies run in parallel via images of everyday life and videograms of revolution.