Popular Science J-0-5

Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.

L’épopée des vignerons

A resistance writer and pioneer of nature writing with a controversial personality, Edward Abbey wrote more than twenty books on the theme of eternal nature. A gem of counterculture, his 1975 novel The Monkey Wrench Gang inspired a generation of environmental activists and readers with rebellious souls. Portrait of a rebellious, lyrical, and rude writer.

Becoming a father is an extraordinary adventure in a man's life, but it is also a real physiological metamorphosis that science is only just beginning to reveal. Researchers from multiple disciplines are lifting the veil on these changes taking place in men who are in contact with young children, and their discoveries are astonishing. By tracing the thread of evolution, the film reveals that these deep, long-ignored bonds between men and children are very ancient. And that they are just waiting for the right context to fully express themselves.

In France, more than 10 million people of all ages are believed to rely on food aid. Faced with this reality, mutual aid initiatives are multiplying to feed, comfort, and integrate people. From lunches where everyone pitches in, to one-euro menus, workshops on how to cook healthily and cheaply, and dinners prepared by Michelin-starred chefs, solidarity kitchens are multiplying in France.

Documentary covering the current state of both the theoretical and practical development of the various scientific basic principles that served, as per Gene Roddenberry's dictum, as a believable basis at the time for The Original Series. Several real-world scientists are interviewed, not a few of them unabashedly admitting they went into their chosen field of profession because of Star Trek: The Original Series.

Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low-budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale. [Wikipedia]

Oil is a primary energy source in the world. Global oil consumption reached approximately 95 million barrels per day but oil fields' quality is constantly declining. A team of Russian scientists came up with more accurate, cheaper, and faster technology that can increase the oil production rate. After all, modern civilization is built in the way that 'to live well' means 'consume more oil'

A documentary produced in 1979 to celebrate the centenary of the birth of Albert Einstein. Narrated and hosted by Peter Ustinov and written by Nigel Calder.

Explores the latest longevity research and whether dramatically extended human lifespan is achievable. Features top scientists, startup leaders, celebrities, and critics offering balanced perspectives on this fascinating field.

Adam Jacobs was the original "Aladdin" in Disney's smash Broadway musical, with a list of other hits like Les Miserables and Something Rotten, but this docu-concert – filmed as a special one-night-only performance – explores his emotional personal journey, from growing up as a Filipino American in California to landing the role of a lifetime.

In this brand new featurette, directors Guillermo del Toro (The Devil's Backbone), Robert Rodriguez (From Dusk Till Dawn), and Frank Darabont (The Shawshank Redemption) explain what makes Night of the Living Dead a very special film and discuss its lasting impact on the horror genre. The featurette was produced exclusively for Criterion in 2017.

Short public information film showing housewives' efficient and hygienic methods of food storage.

Zinal

Liza Minnelli in concert at the London Palladium.

A team of international scientists attempt to document the first-ever image of a black hole.

The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.

Near the cold Pyrenees of Iberia, surrounded by ancient and dark green forests, lies a strange land where the rain is scarce and the wind is always blowing. The soil is poor, there are no trees and the landscape resembles the moon. Is this what the future of desertification will look like? Incredible creatures with surprising behavior live in this strange landscape. The documentary explores a place with very dry skin but a wet hidden heart where even waterfowl or amphibians can live. Living in such conditions is not easy and only the toughest animals will survive.

She was the first to study gorillas in their natural environment: the high mountains of Rwanda, where she settled in 1967. For nearly twenty years, Dian Fossey lived with the gorillas, observed their behavior, and changed the way people viewed them. Her relentless fight against poaching prevented the species from becoming extinct. But in December 1985, the primatologist was murdered, and the mystery surrounding her death remains unsolved. Former colleagues, scientists, and biographers shed light on the impact of her work, but also on the darker sides of her personality and her uncompromising commitment.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.