Puppy Girl

Rosa, 15, lives in an oyster-farming family. As her gravely ill father nears death, the support of Adel, her childhood friend, forges a new bond between them. In this fragile in-between, Rosa moves forward and falters…

Three days before Christmas, Antonio finds out that his boyfriend of 8 years is cheating on him. Heartbroken, he looks for solace in his favorite dive bar where a mysterious visitor has a keen interest in him. A comedy about a man who tries to forget about love, in all the wrong places.

People of Walmart follows Annie Bell Ball, a Smith College graduate forced back to her hometown of Elkhart after the 2008 financial crash. Trapped in a low-wage job at Walmart, her dignity crumbles when a photo of her working becomes an internet meme. Humiliated and unable to escape, Annie spirals into despair, clinging to YouTube for comfort. What begins as a story of survival descends into tragedy, ending in violence that echoes the fractured state of modern America.

It's love at first sight for the Boy, but obstacles— namely shyness, and the temerity of other suitors— place themselves in the way of his love. Unknowingly, the Boy and the young woman of his fancy both stay at the home of mutual friends— But all is not well, as robbers lurk outside the house.

Helen and Tom are desperate to get married. After a foiled elopement attempt, the couple hatches a “fake wedding” scheme to trick Helen’s protective parents into allowing their marriage.

Four stories... Four couples... Ang Mga Pinakamahabang One Night Stand is a collection of four short films exploring themes of fidelity, relationships, and true love in a world filled with complex societal norms permeating personal spaces. The anthology includes Wait Water Wait [directed by Crisaldo Pablo], Balot [directed by James Harvey Estrada], Ang Pinakamahabang One Night Stand [directed by Eduardo Roy Jr.], and Tutok [directed by Crisaldo Pablo].

Une toute dernière fois

A young digital influencer, struggling with his own traumas and social pressures, faces a crisis of identity and loneliness as he tries to reconnect with life and discover a path to redemption.

Ina, an introverted 11-year-old immigrant, finds herself captivated by Petra, a new classmate coming from the same country as her. Faced with the newcomer’s indifference towards her, Ina embarks on a desperate quest for connection in a world oscillating between dream and reality.

Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start. Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

Childhood friends Matías and Jerónimo reach adolescence and experience sexual attraction to each other, before being separated by circumstances. Later, as young adults, they meet again, and the film follows themes of complicated relationships and sexual tensions, as well as issues of homophobia.

Losing you until I lose myself, memories that were all left behind was the beauty of your eyes, me without you.

Caleb, a South Florida teen, loves his camera, his weed and his grandmother. On the eve of his high school graduation, everything changes when he's exposed to HIV. While he waits three months for his results, Caleb finds love in the most unlikely of places.

Two friends enter an Emergency Room, seeking help after an incident. They will find themselves living a series of surreal experiences through the eccentric characters that populate the waiting room. But will they get the help they need?

Masa hires rental actress and aspiring dancer, Kanako, to pose as his fiancée to impress his estranged, terminally-ill father. But as his father's death delays, Masa is forced to confront the spiraling web of lies and to learn to follow his heart.

Sari is a young, beautiful and intelligent girl who is busy studying at university,but she suffers from epilepsy and has to face death on a daily basis. Mikko is hersomewhat older university teacher, who is tired of life, and who one day decides toabandon his wife, children and idea of a perfect life. Both characters have been tooscared to live their lives to the brim for too long. But they meet, and in spite oftheir prejudices and reserved natures, they manage to create a dramatic and movingmodern romance which confronts numerous taboos. While the imagery explores theboundary between life and death in a most poetic way, the odd couple's romance istold with both bite and humour. Society - be it in the shape of angry ex-wives,overprotective parents, conservative aunts or embittered colleagues - is doing whatit can to put a spanner in the works."

TV producer Kei and her recently retired comedian boyfriend Yoshi are working to conceive their first child as they consider marriage approaching mid-thirties—a process complicated by the fact that Kei has continued taking contraceptives. Annoyed by Yoshi relaxing into domestic life and slacking off at his part-time job, Kei has finally worked around her male colleagues’ obstruction to spearhead an innovative web series guest hosted by rotating everyday people. She invites Shiori, a young trans man working for her office’s delivery service and moonlighting as a bartender at an LGBTQ-inclusive space, to kick off the program. However, as Kei pushes forward, she reaches a breaking point.

URAI

In this short film the director reflects on the feeling of being on the wrong path in your life, that you have no control over your own life. But coming to the conclusion, it's life, we all go through it, and without these moments of fall we don't learn to live.