Xylobionta - die verborgene Welt der holzbewohnenden Käfer

The Doku follows the snow owls quest to survive winter. The animals travel from up north to central Europe and back. During their travels they‘ve developed plenty of strategies to make it through the harsh climates they encounter.

Santino, a circus kid constantly on the move, listens to his great-grandfather's stories as his own life is just beginning.

In Caazapá, the “city of magic and legends”, two Paraguayan students are searching for happiness, gold and a magic bird. Their European dropout neighbours are hoping for freedom, healing and salvation from Armageddon. Everything has its price.

Grandma has become a little doddery. And since the death of her husband, called E.O., ever bigger gaps have opened in her memory, and her disorientation has increased. Director Astrid Menzel makes a decision: to take a ten-day canoe trip on northern German waters with her brother and the 86-year-old lady. An adventure whose outcome is uncertain and which the three travellers have to face anew at every stage.

In 1996, one of the biggest media scandals in German history shook the public: Michael Born, a self-made journalist, had faked over twenty reports for the newly established private television station between 1990 and 1996. Some seemed amateurish, others dealt with absurd topics: child labor for IKEA in India, drug addicts licking toads to get high, and the Ku Klux Klan in the Eifel region were just some of his numerous fabrications. How did it come to this? Was Michael Born an enlightened figure who subversively exposed the tabloid system, a victim of the system, or simply a bumbling fraud? Film traces Michael Born's footsteps. Put together from hundreds of hours of raw material and the memories of former companions, an incredible story of forgery emerges. A media-theoretical film about levels of reality, fake news, and the question: Why do we actually believe what we see?

MEHR ALS LEGENDE – 35 Jahre BETONTOD | Offizielle Dokumentation

Ottobiography

SDP - Bunte Republik Deutschpunk

They sew our clothes, tan leather for shoes and bags. Twelve hours of work, every day. Despite this, the people in the supplier countries are often desperately poor. How does this poverty come about? Manfred Karremann explores this question using the example of Bangladesh, where much of what we use every day is produced. Bangladesh is the second largest textile producer in the world after China. The main reason for the poverty: goods are produced incredibly cheaply in Bangladesh. About nine cents an hour is paid for the dangerous work in a tannery. The seamstresses in the textile factories get a little more. Just enough to survive. Because that's what it's all about for the men, women and children who do any job, for any wage.

In this searing documentary, Indigenous people share heartbreaking stories that reveal the injustices inflicted by the Canadian child welfare system.

18 years have passed since the implementation of the Employment Permit System, and through this system, many migrant workers have stepped on Korean land, with the goal of chasing their dreams. The protagonists of this film also came to Korea in search of a dream,but because there’s no freedom to change workplace in the Employment Permit System, their dreams are hitting the walls of reality.This is the story of 3 migrant workers living the harsh lives of laborers.

A small but sturdy farmer called Sanghee Ahn and passionate young farmers surrounded me, farming. When even I am having a hard time here, will the farmers be able to protect the seeds and take care of the small plant lives?

Spring Wind Project - We are here

Two farmers, Yoon Gyun-sang and Jang Gwi-deok, have been receiving and planting their own seeds for decades. Farming changed their body and they have continued to work for several decades with the changed body as a matter of course. With the changes in their surroundings, however, their labor became special. There are people who are looking for the seeds that their special labor have been keeping. They may bring back to us the time that we took for granted, the precious time of seeds that constantly changes but lasts.

A film about memory, identity and the overwhelming power of love. One-year-old Devi was found starving at a railway station in Delhi. The police took her to Palna, an orphanage, where she lived for a year. When Devi learned to talk she often wanted to talk about Amma, her first mother. In the film, the 6-year-old Devi journeys to her own past, as her family adopts another daughter from Palna, a baby sister for Devi.

La France Vue du Ciel

The fate of a culture lies on the shoulders of few determined individuals.

Documentary about the nurses' strike in Finland on autumn 2007.

Documentary included with the DVD Rush in Rio (2003). Provides an almost hour-long look at the band and its crew during the final dates of their 2002 Vapor Trails Tour, specifically their first-ever Brazilian shows in Porto Alegre, Sao Paulo, and Rio de Janeiro. Behind the scenes footage shows the band weathering the rigors of a sometimes comically catastrophic tour, with their innate humor and grace. This documentary, by longtime Rush photographer Andrew MacNaughtan, shows the band and crew at their most light-hearted, though still thoughtful. We see the band's arrival in Brazil, to the unexpected onslaught of Brazillian fans boiled over in the culmination of a lifetime's anticipation. Following this are insights from the band and their crew, which provide a view into their longevity as well as ample evidence of the individual strengths and varied senses of humor that helped them achieve it.

The Molotovs kick things off in style with “Rebel Rebel,” followed by magical covers of “Heroes” (The Horrors), ‘Fascination’ (La Roux), “Let's Dance” (Jeanne Added), “Rock'n'Roll Suicide” (The Libertines), “Sound and Vision” (Anna Calvi), “Starman” (The Divine Comedy), and “The Man Who Sold the World” (Yasmine Hamdan): eight intense reinterpretations of David Bowie's work, delivered during an arty and decidedly London-esque stroll, which, from stage to studio, recreates the fragile intensity of a live performance.