Vague Void

In a world where water has become a scarce commodity, a young scavenger finds a source to satisfy her thirst.

Hilo y Pastel de Sangre

A man relies on the help of a strange fellow to get his car running.

200 millimes

37-year-old Marta gets married and wants to have a baby. But her toxic relationship with overbearing mother complicates her life in many ways.

Following a strange encounter with a swan found on the streets of London, a girl begins to lose her grip on reality. She is led to a large house where the lines between dreams and memories become indistinguishable, as she struggles with her relationships, her obsession with perfection and her identity. Loosely inspired by the mythology of Leda and The Swan, it looks at the way women cope with trauma, questions the idea of self and takes you on a journey through one woman's psyche.

Hunter, a bride-to-be, feels overworked and unappreciated. Her artistic spirit is squelched by the shallow corporate world she’s in and she has had enough. Unfortunately, she feels as if she can’t turn to Ian, her commercial executive fiancé, for solace. As her wedding day approaches, Hunter and her three bridesmaids embark on a road trip to Las Vegas for one last hoorah together. As the girls venture from the city, they decompress and let their personal barriers fall. An impromptu sightseeing excursion into the desert leads to a clash of anxieties and attitudes between Hunter, the bridesmaids, and her fiancé as Hunter searches for the road that’s right for her.

Dos Galhos Prateados

A young and inexperienced actress is hand selected by a high profile director whose manipulative and abusive directing style is enforced for the sake of art.

'Elise' comes to terms with a 'being' that possesses their house, discovering and accepting why they have allowed this presence to linger while overcoming the issues it has imposed on their life.

An early impressionist short featuring a woman who dreams of, and escapes into, an autumn forest.

Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.

An experimental reinterpretation of 1950s science fiction B movies.

It's 1941, but France is trapped in the 19th Century, governed by steam and Napoleon V. Avril, a teenage girl, goes in search of her missing scientist parents.

A man blows balloons until they burst and thus expresses his accumulated aggression.

Ballet Mécanique is a Dadaist, post-Cubist art film conceived, written, and co-directed by the artist Fernand Léger in collaboration with the filmmaker Dudley Murphy. It has a musical score by the American composer George Antheil.

The story centers on Billy, an effeminate fan of vintage science fiction action thrillers. His only friend is Cameron, a nerdy film buff who tries to boost his confidence whenever he can. After seeing a UFO land, Billy retreats into his head, imagining that aliens are taking over the town. Cameron is skeptical, as is the rest of the town. Meanwhile, people are starting to die. First, the reclusive cat lady, Percis, is discovered mutilated by Lester, the churchgoing husband of Carolyn, Percis's depressed caretaker. Random deaths soon follow, first a jogger, and then a janitor at the Carbonics Warehouse. A pair of news reporters share this information with the public while the Detective and his Chief try to solve the killings.

When a mysterious message leads her to unearth a hidden audio file, a young girl believes she has found her missing song, until it vanishes, forcing her to confront where music truly lives.

It's almost been one year since his boyfriend committed suicide on the day of the Moon Festival, in their own home. Wei, left alone, struggles to leave his memory behind and isolates himself in the apartment that torments him.

Designing artificial relationships between found or stolen elements is a technique that seeks to discuss found footage. Credere a tutto tells about houses and living beings and has developed by intertwining ancient photos, a text, a film sequence and original video footage. Materials that take on time, space and new meanings within the expanded vision of the so-called “spectators”. A techno music session while séances and panoramic views of derelict houses question us about what we see and what we cannot see.