(The Importance Of) Hair

They take over on the fields of sport and show business. For a few years, bald people took a sensational revenge. But they had to impose themselves as they usually are targets of jokes in popular culture. For now, they show their baldness in broad daylight, or simply are comfortable with their difference. An intimate revolution, related by those who lived it.

“Bald Women” delves into the life of women with alopecia who fight for the normalization and visibility of their bodies. Living in a society in which women are slaves of their own image, their viewpoint is found as a unique cry of self-development, revindication and freedom. After being hidden and forbidden during history, their existence will be an example for every woman.

Gus is a fat cartoonist that recently won a battle against cancer, which explains his baldness. But he is also lonely. Therefore, his caring sister tries to set him up with suitable woman. But to do so, she must turn him into an irresistible man. When he falls in love with Emily, Gus takes the identity of a mysterious biker from New Zealand.

At a party, someone goes insane and murders three women. Falsely accused of the brutal killings, Jerry is on the run. More bizarre homicides continue with alarming frequency all over town. Trying to clear his name, Jerry discovers the shocking truth...people are losing their hair and turning into violent psychopaths and the connection may be some LSD all the murderers took a decade before.

Juanjo (Antonio Pagudo) is a forty-year-old man who, despite not having low self-esteem due to his baldness, his wife, Inma (Eva Ugarte), obsessed with image and aesthetics, is in charge of making him complex about it. On the other hand, his friend Sebas (Carlos Librado "Nene") is affected by his lack of hair and is willing to do whatever it takes to regain his younger version, something that affects his ex-wife, Sofía (Amaia Salamanca) , and their daughters. Ready for anything, both get into a little trouble to get the money to allow them to travel to Turkey and have a hair transplant. In Istanbul they meet Rayco (Tomy Aguilera), a young reggaeton singer who is having great success, but after discovering his alopecia at a concert, he needs an urgent hair transplant. In this way, the three of them will try to seek happiness through aesthetics, but perhaps they will discover that there is something far beyond the physical.

When premature baldness becomes apparent, Daitary's confidence is greatly affected, as his life was always identified by his voluminous hair. He ultimately finds a way of coping by inspiring other bald men to live happily.

The heartwarming tale of how the baldest man in the world accidentally started a moon-worshipping cult in a working men's club in Wales.

In this funny and inventive animation, Paul Cabon shows us that you can come to terms with going bald, but that you don’t have to like it.

Baratometrajes 2.0 is a feature length documentary on low-budget films made ​​in Spain and dives deep and directly in the guts of most independent films, their characteristics and their reasons for being. More than forty interviews with directors, producers, journalists, cultural managers and distributors are shaping a broad mosaic of opinions and adventures of different creators to get their films and turn them into a reality, allowing the cameras to talk through their methodology work and the secrets that lie behind the making of these productions. Movies like "El mundo es nuestro," "Mi Loco Erasmus" or "The Cosmonaut" are part of the object of study of this essential documentary that brings us to the reality of New Spanish Cinema Lowcost.

The last representatives of Mixteco culture inhabit a village in the Sierra Madre. Deprived of their identity by modern civilization, they are facing an even bigger threat: a landslide that may destroy the village during the next torrential rains. The mayor tries to prevent the disaster. He wants to invite a geologist, so that the approaching danger can be officially confirmed. But no help is coming and the inhabitants must simply wait for the disaster.

From Mont Blanc to Mount Elbrus, experience the peaks from the breathtaking perspective of skyrunner Kilian Jornet and his friends.

Some people consider them the best part of the movie going experience - the Movie Trailer. Take a look at the evolution of the "coming attractions" from simple silent film splices, through the template style of the Golden Age of Hollywood, through Auteurs and finally into the Blockbuster era.

This haunting film comprises of footage shot during WWI from opposite sides of the conflict: Czarist Russia and the Austro-Hungarian empire. The filmmakers tinted the material with sensual colors from sepia to red, blue, and purple and slowed the footage to analyze the material. The total absence of commentary renders the material eloquent and disturbing. - MoMA

In 1926 the remains of two ships built by the Emperor Caligula were found at the bottom of Lake Nemi, near Rome. Mussolini had the lake drained and established a museum as a celebration of the imperial origins of Fascism, but the museum and ships were destroyed by fleeing Nazis in 1944. The film commemorates these events. - MoMA

Crowds is a feature documentary that records popular events of Uruguay where thousands of people gather spontaneously, called by faith, passion, celebration and memory. What happens when we set aside our individuality to act collectively? This documentary observes the passions that draw thousands of people close in order to join in a choral character. It discovers the crowd while it transgresses and experiences catharsis, while it seeks miracles and hopes; in continuous movement it splits and rejoins... until they dissipate and individuals re-emerge in their own solitude.

'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.

Documentary film that takes a visual and anthropological journey through man's spirit across the thin line dividing excessive faith in religious believes and the passion with which he devotes himself to worldly pleasures in a city that coexists in harmony with its double standards. Religion, faith, politics, violence and death are intimately bound in this social portrait.

Legendary rumba musician Alberto Zayas serves as a guide for this vibrant journey through Cuban musical history and culture. The short features interviews, footage of impromptu street performances, and studio recordings.

This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.

A short film that sets up an opposition between functional forms of industrial age and decorative ones from Indian tradition.